Mom comedy with dirt on its boots.
Two Moms Day Drinking is a personal, comic show built from parenting stress, family artifacts, chickens, forests, and odd cultural rabbit holes. Its best moments pair blunt domestic observation with a storyteller's appetite for memory, legend, and mess.
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Two Moms Day Drinking uses parenting as a starting point, then keeps walking until the path gets stranger. The show is rooted in domestic life, but its recent episodes range far beyond the usual mom-comedy lane. A thought about modern motherhood can turn into a full argument for a moms-and-kids commune. A batch of eggs in an incubator can become a meditation on needing something alive, tangible, and loud in the room. A family death can open into a portrait of Aunt Marlene, solitude, independence, and the odd ways people recognize themselves in older relatives. The show likes old things. It also likes woods, poultry, legends, inherited boxes, inconvenient memories, and stories that refuse to stay in their assigned category. The comic engine is specificity. Chickens are not just chickens; they are bedroom incubators, garage brooders, roosters, poultry, and a whole messy household system. Parenting is not just parenting; it is playdates, dirt, ponds, boundaries, exhaustion, and the fantasy of a voluntary tribe deep in the forest. Recent episodes also show a taste for folklore and pop culture, from Sasquatch and bear encounters to a discussion of The Jungle Book and the force of storytelling itself. The tone can be sharp. It can also be unexpectedly tender. The show is comfortable with contradiction, especially the kind that comes from wanting community without surrendering privacy, or wanting independence while still needing other people. Its humor is cleanly human rather than polished. The voice circles, digresses, doubles back, and then lands on an image that feels earned. It is not built for neat lessons. It is built for listeners who enjoy watching a mind turn family life, rural weirdness, grief, and memory into something funny, restless, and alive.
Made for: Suits a listener who likes personal storytelling about parenting, family, rural life, and odd fascinations, especially when the comedy has a blunt edge. It is a fit for someone who prefers messy specificity over tidy advice.
What sets it apart: The show stands apart by treating mom comedy as a doorway into folklore, family artifacts, chickens, grief, old media, and off-the-grid fantasy. Its appeal is the collision between domestic detail and wild, essayistic wandering.
Are you tired of the Mommy Wars? Why not spend an hour each week stepping back from the carnage as it unfolds on social media to take a deep dive into the story of one of the soldiers instead? Being a mom is hard as hell. Each week, host Stacey Gross gets together with another mom (or a dad, or a grandma, or someone who's chosen not to have kids at all) to talk about how they relate to the enormous concept that is parenting. Whether you have kids or not, tune in every Saturday for a fresh dose of humor, humility, and unvarnished truth about the fact that mommin' ain't easy.
Stacey Gross asks for the credit-card mom talk you wish you'd had.
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Short reviews from the PlayNext desk, based on the episodes we processed.
A close, unruly listen to communal life, unpaid work, and the freedoms people chase outside ordinary routines.
Since the 1960s, the Rainbow Family of Living Light has gathered each July in a national forest, and this episode moves through the daily labor and loose ideals that keep the gathering going: mud-oven kitchens, latrines, barter, unpaid work, and a collective prayer for world…
Tiny debates, treated with heroic seriousness.
Two Moms Day Drinking follows a Rainbow Family of Living Light gathering in Allegheny National Forest, while the broader July main site that year is Carson National Forest in Taos County, New Mexico.
The host connects SNL’s Bill Swerski superfans, Pennsylvania black bears, and her childhood fascination with character breaking.
Two Moms Day Drinking compares Disney's 1967 The Jungle Book with Rudyard Kipling's 1864 collection of stories.
After Aunt Marlene's death, grief turns ordinary taste and smell into obligations, even as work and coffee continue.
Gina learns that adult children need pride, support, and room to move forward.
Michael Hsu, author of "You Are the Fucking Shit" and "Whose Movie Are You In?", tells Stacey Gross he almost canceled the interview because he felt like "a hypocrite, a fraud." He traces his sleep anxiety to his mother, who did not tend to him at night as a newborn because she feared she would not sleep and "would die," and says the fear returned after his son was born in the Czech Republic.
Stacey Gross says her writing life is not a route to becoming David Sedaris but a practice fitted around her eight-year-old twin daughters and paid work.
Two Moms Day Drinking hosts compare Disney sidekicks including Maximus, Pascal, and Hei Hei.
Two moms chat humorously about coffee, defrosting a turkey, and preparing for Thanksgiving while day drinking.
Two moms discuss controversy around a Vagina Monologues production, sexual assault statistics, and the importance of women advocating for each other.
The host humorously explains that the regular host has been abducted by aliens and will return as their queen.
Two moms discuss parenting experiences, relationships, and the challenges of raising children.
A conversation about the internal and external pressures of parenting, including self-criticism and societal expectations.
Host Stacey Gross interviews author Abby Knox about her experience becoming a teacher for her children during the pandemic, navigating virtual learning and school schedules.
Host Stacey Gross interviews Bridget about her decision not to have children, shaped by her mother's mental health challenges and her own fears of uncertainty.
Two moms chat humorously about bee encounters and parenting struggles.