Twisted and Uncorked puts true crime, hauntings, conspiracy and myth in one feed, and Alecia and Sierra talk their way through all of it. The organising idea is right in the titles. Each title ends with a tag, SERIAL KILLER, HAUNTED, CONSPIRACY or MURDERLESS, so the kind of darkness on offer is clear before the first word. The serial killer cases include the axe man of New Orleans and a string of San Pedro killings. In the San Pedro story, women vanished after leaving bars. One of them was Katherine Medina, seen climbing into a stranger's cab in 1974 after a fight with her husband and later found in Harbor Lake Recreational Park. The details are grim, and the show states them plainly. What the show adds is the hosts' own reactions. A dismissive line about another lonely woman in a lonely city gets a sarcastic jab at the police work. The story also pauses for a personal aside about never letting an argument end without making up. The HAUNTED episodes deal in stories tied to particular buildings. A boarding house tale piles up guests pushed toward the stairs, someone nearly shoved from a third-story window, and the room where a World War II veteran burned in his bed while the rest of the room was untouched. Visitors, the story goes, still catch a brief smell of burning there, which earns a one-word verdict: gross. Then there is MURDERLESS, the tag that most sets the show apart. These episodes deal in crime without a body count. One follows Jeffrey Manchester, a fast-food robber described as gentle and polite. He told McDonald's employees to get their coats before sending them into the freezer so they would not be cold, and he was arrested in North Carolina in 2000 after a worker reached a silent alarm. Another MURDERLESS episode reads out odd news stories, including a December 2006 report of a 12-year-old arrested for opening a Christmas present without permission. The hosts think the parents took it too far. The robber episode begins with a traded fun fact and promises homework by the end. CONSPIRACY episodes stretch toward myth. In 'Episode 222 - No Christmas Without Aliens - CONSPIRACY', the conversation compares two versions of Medusa's origin and asks what might lead people to invent a woman who turns onlookers to stone. Christmas keeps coming up too. It is in titles such as 'Episode 221 - A Really Bad Santa - SERIAL KILLER', and a New Year's week episode begins with a joke about a jolly man on a roof with toys. The language can turn blunt, including a pointed swipe at the corporations that lost money to that polite robber. The mix is the draw: dark material from two people who keep reacting as the story unfolds.