
True crime told like a case record.
The gist
True Story tells crime cases as carefully ordered documentary narratives, moving from the first strange detail into the wider investigation. Its episodes favor procedure over shock: robberies, murders, witness accounts, arrests, and trials are built piece by piece.
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About True Story
True Story is a true-crime series with the shape of a documentary case file. It does not rush toward the ending. The episodes usually begin with a specific moment, then widen into the people, places, evidence, and institutions around it. A forest discovery near Jyderup leads into questions of identity, letters, a job offer, and an older police investigation. A final pizza delivery in Erie leads into the Brian Wells case, with its neck bomb, treasure-hunt instructions, conspiracy theories, and unstable circle of people around the crime. The French gang episodes track a long sequence of Copenhagen robberies, where banks and money transports are hit with professional precision. Those episodes return again and again to the mechanics of the crimes: Peugeot cars, disguises, weapons, fingerprints, money, border-crossing police work, and witness identifications in court. The Green River material is darker and more intimate, moving through abusive homes, motel life, sex work, addiction, and the vulnerability of women in danger. Across these stories, the series favors accumulation over surprise. Names, routes, and legal steps are repeated until the case feels mapped rather than merely described. The narration is serious, steady, and procedural, but not dry in the purely administrative sense. It gives scenes enough texture to matter: snow, heat, a tense courtroom, or a pair of boots sticking from the ground. Then it returns to the record. That balance is the show’s main appeal. It gives true-crime listeners atmosphere, but keeps the center of gravity on what investigators knew, what witnesses saw, and how suspects were pursued. The multi-part format lets large cases breathe, especially when the investigation spans years or crosses borders. True Story is best for listeners who prefer chronological storytelling, procedural detail, and a sober tone. It is less suited to anyone looking for comedy, debate, or host-driven personality. The show’s strongest passages make complicated crimes feel legible without making them feel neat.
Made for: True Story is for listeners who prefer sober true crime, chronological reconstruction, and detailed police or courtroom procedure. It suits people who want cases built patiently from evidence, witness accounts, and documented turns rather than personality-led commentary.
What sets it apart: The series stands apart through its steady case-file structure: a concrete opening scene, careful chronology, repeated factual anchors, and close attention to investigative mechanics. Its multi-part stories give complex cases enough room for geography, procedure, suspects, and trial detail to matter.
In their own words
True Story er danske og udenlandske kriminalhistorier fra den virkelige verden. En god blanding af true crime, dokumentar og historiefortælling. Sagerne er genfortællinger af virkelige kriminalsager, som de har været beskrevet i andre medier. Af hensyn til diskretion kan visse navne være ændret og detaljer være udeladt. Produceret, redigeret og fortalt af Martin Hylander. Husk at du kan lytte til endnu flere spændende kriminalsager i podcasten True Story Exclusive på Podimo - link til søsterpodcasten finder du her på True story's FB, IG eller i episodebeskrivelserne. Musik: www.incompetech.com.
Why you'd press play
A neck bomb, a treasure hunt, and your quiet evening has now been formally cancelled.
Press play if you want
- to follow patient police work from Copenhagen phone boxes to a French courtroom
- to meet a bizarre American crime through the ordinary life caught inside it
Episodes
- 1
Den franske bande 4:5
·30m - 2
Den franske bande 2:5
·33m - 3
Den franske bande 1:5
·26m - 4
Særafsnit: En mand ser rødt 3:3
·25m - 5
Særafsnit: En mand ser rødt 2:3
·28m - 6
Særafsnit: En mand ser rødt 1:3
·22m - 7
Drengen der forsvandt 3:3
·35m - 8
Drengen der forsvandt 2:3
·38m - 9
Drengen der forsvandt 1:3
·37m - 10
Særafsnit: Drabet på Morten 3:3
·21m - 11
Særafsnit: Drabet på Morten 2:3
·26m - 12
Særafsnit: Drabet på Morten 1:3
·24m - 13
Den koldblodige morder 4:4
·38m - 14
Den koldblodige morder 3:4
·38m - 15
Den koldblodige morder 2:4
·37m - 16
Den koldblodige morder 1:4
·30m - 17
Særafsnit: Spademorderen
·24m - 18
Særafsnit: Lejemorderen 3:3
·23m - 19
Særafsnit: Lejemorderen 2:3
·22m - 20
Særafsnit: Lejemorderen 1:3
·22m - 21
Det onde geni 4:4
·29m - 22
Det onde geni 3:4
·33m - 23
Det onde geni 2:4
·34m - 24
Særafsnit: En sprængfarlig gave 2:2
·23m - 25
Særafsnit: En sprængfarlig gave 1:2
·27m - 26
Særafsnit: Mordet i Ørstedsparken 2:2
·25m - 27
Særafsnit: Mordet i Ørstedsparken 1:2
·28m - 28
Familien 9:9
·49m - 29
Familien 8:9
·29m - 30
Familien 7:9
·30m - 31
Familien 6:9
·30m - 32
Familien 5:9
·29m - 33
Familien 4:9
·27m - 34
Familien 3:9
·32m - 35
Familien 2:9
·25m - 36
Familien 1:9
·27m - 37
Særafsnit: Bomben i Umeå 2:2
·20m - 38
Særafsnit: Bomben i Umeå 1:2
·23m - 39
Særafsnit: Brynemorderen 2:2
·23m - 40
Særafsnit: Brynemorderen 1:2
·24m - 41
Den venlige morder 6:6
·28m - 42
Den venlige morder 5:6
·38m - 43
Den venlige morder 4:6
·28m - 44
Den venlige morder 3:6
·27m - 45
Den venlige morder 2:6
·31m - 46
Den venlige morder 1:6
·26m - 47
Særafsnit: Drabet i Grøndalsparken 2:2
·25m - 48
Særafsnit: Drabet i Grøndalsparken 1:2
·24m - 49
Særafsnit: Drabet på bogbinderen 2:2
·23m - 50
Særafsnit: Drabet på bogbinderen 1:2
·23m - 51
Belle fra helvede 4:4
·34m - 52
Belle fra helvede 3:4
·27m - 53
Belle fra helvede 2:4
·25m - 54
Belle fra helvede 1:4
·26m - 55
Særafsnit: Det forsvundne lig 2:2
·23m - 56
Særafsnit: Det forsvundne lig 1:2
·27m - 57
Særafsnit: Dobbeltdrabet i Malmö 2:2
·23m - 58
Særafsnit: Dobbeltdrabet i Malmö 1:2
·25m - 59
Den danske stewardesse 4:4
·27m - 60
Den danske stewardesse 3:4
·27m - 61
Den danske stewardesse 2:4
·26m - 62
Den danske stewardesse 1:4
·26m - 63
Godt nytår fra True Story!
·1m - 64
Særafsnit: Drabet på Sami
·23m - 65
Særafsnit: Drabet på cykelhandleren
·22m - 66
Særafsnit: Dobbeltdrabet på Kalle og Kaija 2:2
·22m - 67
Særafsnit: Dobbeltdrabet på Kalle og Kaija 1:2
·27m - 68
Flodmanden 5:5
·32m - 69
Flodmanden 4:5
·27m - 70
Flodmanden 3:5
·27m - 71
Flodmanden 2:5
·29m - 72
Særafsnit: Liget i boksen
·25m - 73
Særafsnit: Et æresdrab
·28m - 74
Særafsnit: Chokolademorderen 2:2
·22m - 75
Særafsnit: Chokolademorderen 1:2
·25m - 76
Englemagersken 3:3
·36m - 77
Englemagersken 2:3
·25m - 78
Englemagersken 1:3
·27m - 79
Særafsnit: Drabet i Korup 2:2
·23m - 80
Særafsnit: Drabet i Korup 1:2
·24m - 81
Særafsnit: Forbrændingsanstalten 2:2
·25m - 82
Særafsnit: Forbrændingsanstalten 1:2
·26m - 83
Kvindemorderen 5:5
·37m - 84
Kvindemorderen 4:5
·26m - 85
Kvindemorderen 3:5
·22m - 86
Kvindemorderen 2:5
·26m - 87
Kvindemorderen 1:5
·25m - 88
Særafsnit: Gangsterdrabet på Vestegnen 2:2
·23m - 89
Særafsnit: Gangsterdrabet på Vestegnen 1:2
·26m - 90
Særafsnit: Drabet på taxachaufføren
·25m - 91
Pigen i vandet 4:4
·27m - 92
Pigen i vandet 3:4
·29m - 93
Pigen i vandet 2:4
·27m - 94
Pigen i vandet 1:4
·25m - 95
Særafsnit: Drabet på Isabella 2:2
·22m - 96
Den franske bande 3:5
True Story’s “Den franske bande 3:5” follows the September 5, 1997 Unibank robbery on Østerbrogade, where four masked men took nine money bags and eleven post bags.
·30m·2 clips - 97
Flodmanden 1:5
This episode introduces the Green River Killer case through two parallel stories.
·31m·3 clips - 98
Det onde geni 1:4
On August 28, 2003, pizza deliveryman Brian Wells is sent on a routine order in Erie, Pennsylvania, only to be ambushed and fitted with a homemade bomb collar.
·34m·3 clips - 99
Den franske bande 5:5
Hidden gemTrue Story follows the 2001-2002 Draguignan trial of Bruno Jamby, Philippe Robert, Boris Markovitsch, and Simon Adlarn after six Danish robberies were transferred to France.
·45m·2 clips - 100
Særafsnit: Drabet i Jyderup
Hidden gemApril 1933 in Jyderup begins with four boys finding a body in a forest, and the police quickly face an unidentified dead man with white women’s underwear and head injuries.
·23m·1 clip