The Town with Matthew Belloni

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Hollywood news, priced like a deal.

The gist

The Town with Matthew Belloni treats entertainment news as a balance-sheet story with reputational consequences. It follows streaming price hikes, theatrical strategy, labor deals, music valuations, adaptations, and power players with dry skepticism and deal logic.

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About The Town with Matthew Belloni

The Town with Matthew Belloni is an entertainment business show with little patience for soft-focus industry chatter. It treats Hollywood news as a chain of incentives. Who gave up leverage? Who owns the audience relationship? Which asset is actually worth the premium being floated? Recent episodes show the range. A music-business installment weighs Bill Ackman’s interest in Universal Music Group against the label’s market position, while also asking what Ye’s attempted return says about cancellation, booking power, and commercial tolerance. A CinemaCon episode looks past studio presentations and theater-owner optimism to the practical value of a filmmaker council led by Jerry Bruckheimer, with Emma Thomas and other filmmakers attached. The show can get granular. Runtime data from Stephen Follows becomes a way to test whether movies are really getting longer or whether big-budget filmmaker trust is skewing perception. Netflix’s latest price increase becomes a story about ad tiers, Wall Street expectations, and the missing growth narrative after Warner Brothers is off the table. The show also follows Hollywood’s dependence on known material, from Project Hail Mary and The Housemaid to the renewed importance of authors such as Colleen Hoover and Freda McFadden. It is equally comfortable backstage. The Morgan Neville interview about Lorne uses SNL access to examine a cultural institution and the power Lorne continues to hold inside it. Labor and politics get the same treatment. A writers guild discussion frames strikes as both necessary leverage and costly self-harm, while Senator Adam Schiff’s appearance turns production incentives into a jobs, policy, and local-economy argument. The show’s best mode is translation. It takes familiar entertainment stories and strips them down to money, rights, distribution, labor, audience data, and ego. The humor is dry. The questions are blunt. The listener comes away with a clearer sense of what the town is saying, what it is avoiding, and which version is likely closer to the business truth.

Made for: For listeners who follow film, television, streaming, and music as industries, not just fandoms. It suits people who want the incentives behind the headline explained quickly and without gloss.

What sets it apart: The show stands out by pressure-testing entertainment stories against leverage, audience behavior, and financial logic. It connects creative decisions to pricing, labor, IP, lobbying, distribution, and Wall Street reaction.

In their own words

Puck founding partner Matthew Belloni takes you inside Hollywood, using exclusive reporting and insight to explain the backstories on everything from Marvel movies to streaming wars. Multiple times each week, Matt is joined by major executives, dealmakers, and journalists, to discuss what is getting made and why, who is winning and losing, and what people in show business are actually talking about.

As heard by us

Based on 6 episodes we listened to · September 2026

Matthew Belloni turns Hollywood's shifting economics, labor tensions, and strategic bets into pointed conversations grounded in numbers and consequences.

The Town tracks how Hollywood decisions become hits, setbacks, labor disputes, and strategic headaches. Matthew Belloni moves comfortably between interviews and argumentative conversations, pressing on the assumptions behind theatrical economics, production policy, star power,…

Read our full review in PlayNext →

Why you'd press play

A $35 million thriller makes nearly $400 million; Matthew Belloni gives you the 'how' behind the hit.

Press play if you want

  • to hear Paul Feig explain why a thriller can be more fun with a theater crowd
  • to test your movie-star rankings against an argument about who actually sells tickets
Read the full recommendation in PlayNext →
streaming economicsHollywood labor dealsmovie theater strategymusic industry valuationbook-to-screen adaptationsstudio and franchise powerproduction policy and incentivesaudience behavior data

Talks about

Best episodes of The Town with Matthew Belloni

Short reviews from the PlayNext desk, based on the episodes we processed.

Are Movies Actually Getting Longer? We Found Out.Apr 3, 2026

A runtime complaint that turns into a clearer case about leverage, budgets, and who gets room to breathe.

The piece starts from a familiar complaint about movie runtimes, then gives it shape with Stephen Follows's analysis of more than 36,000 films from 1980 to 2025.

Can D.C. Save Hollywood? Senator Adam Schiff on Bringing Production Home.Mar 27, 2026

Adam Schiff links tax incentives, consolidation, and a Burbank hearing to the jobs at stake in film and TV production.

The episode uses its conversation with Senator Adam Schiff to sketch the pressures on film and TV production, from the content recession and consolidation to the pull of aggressive tax incentives offered by other states and overseas.

Sora Is Dead: What Does That Mean for Disney? Plus, ‘The Bachelorette’ Scandal.Mar 25, 2026

A skeptical Disney-AI postmortem that lands on a strangely credible Bachelor forecast.

Disney's rocky first week under Josh DeMauro gives The Town a sharp test case for what an AI partnership can solve, and what it can leave sitting in public view.

Gosling, MBJ, Timmy, and the Biggest Movie Stars Under 50 Power RankingMar 23, 2026

A brisk industry debate about whether modern movie stardom still moves tickets.

Movie-star status is tested through a ranking that asks whether Ryan Gosling now belongs on the A-list, and whether that label still carries real box-office meaning. Michael B.

Secrets to Commercial Filmmaking With 'The Housemaid' Director Paul FeigMar 20, 2026

Paul Feig uses a surprise hit to unpack genre, stars, theaters, and the business logic around them.

The Housemaid's leap from a roughly $35 million production to nearly $400 million worldwide gives The Town a sharper reason to study a success story rather than another industry miss.

The NFL's Billion-Dollar Cash Grab and Whether There’s Any Left for Film and TVMar 18, 2026

A clear, sharp review of why the NFL can push marquee-game pricing toward premium-streaming scale.

The NFL's rising price tag turns into a useful stress test for the media business: how long can sports keep propping up both linear TV and streaming strategy?

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Episodes

  1. 1

    Why Every Agency Wants a Piece of the Creator Economy

    Oct 2, 2026·39m
  2. 2

    The Ari Emanuel Experience

    Sep 30, 2026·52m
  3. 3

    The Six Toughest Decisions David Ellison Faces With WarnerMount

    Sep 29, 2026·35m
  4. 4

    Dissecting the Bill That Could Transform Hollywood, With Its Co-Author

    Sep 24, 2026·37m
  5. 5

    Jeffrey Katzenberg on Why Hollywood Must Embrace AI

    Sep 24, 2026·41m
  6. 6

    Emergency Pod: Paramount Settles—and Bonta Caves

    Sep 21, 2026·31m
  7. 7

    Tom Cruise and the New Age of Celebrity Profiles

    Sep 19, 2026·40m
  8. 8

    2026 Emmys Instant Reactions: Is Apple Really the New HBO? What Happened to Netflix?

    Sep 15, 2026·38m
  9. 9

    How to Run a Specialty Studio in 2026, with Searchlight President

    Sep 15, 2026·49m
  10. 10

    ‘Resident Evil’ and the Tightrope of Relaunching Old IP

    Sep 10, 2026·36m
  11. 11

    Four Big Stories: Emmys ’26, Summer Box Office Pushback, Fed Tax Credit Odds, and ‘60 Minutes’ 2.0

    Sep 8, 2026·37m
  12. 12

    The 2026 Summer Box Office Winners, Losers, and Head-Scratchers

    Sep 4, 2026·50m
  13. 13

    Did Donald Trump Just Save Filmmaking in America?

    Sep 2, 2026·36m
  14. 14

    The Five Biggest Hollywood Storylines for the Rest of 2026

    Sep 1, 2026·37m
  15. 15

    Disney's Biggest Swings and Misses, Plus Iger vs. Eisner—With the Acquired Guys

    Aug 28, 2026·42m
  16. 16

    America vs. the U.K.: Who Makes Better TV Shows?

    Aug 27, 2026·47m
  17. 17

    The WarnerMount PR War and the 'Dune 3' Ticket Crash

    Aug 25, 2026·32m
  18. 18

    Mailbag! Marvel’s Future, Johnny Depp’s Comeback, L.A.’s Recession, and Awkward Celeb Interactions.

    Aug 22, 2026·39m
  19. 19

    The Business Secrets Behind the ‘Love Island’ Juggernaut

    Aug 19, 2026·36m
  20. 20

    What Will It Take to End the Paramount–Warner Bros. Standoff?

    Aug 17, 2026·40m
  21. 21

    Where Have All the Action Heroes Gone? With 'John Wick' Producer Basil Iwanyk

    Aug 13, 2026·38m
  22. 22

    Why Can’t We Build More IMAX Theaters? With CEO Rich Gelfond

    Aug 12, 2026·40m
  23. 23

    Fox Stands Up to the NFL, a Big Change to TV Ownership, and Ellison Commits to 30 Movies

    Aug 10, 2026·37m
  24. 24

    The Case for Disney Exiting the Streaming Wars

    Aug 7, 2026·31m
  25. 25

    Can the Paramount-WBD Merger Survive a Trial, Midterms, and a $650 Million Clock?

    Aug 5, 2026·37m
  26. 26

    Why Spider-Man Broke Records, and Why Peacock Partnered With YouTube

    Aug 3, 2026·38m
  27. 27

    The Future Blockbusters Draft, Part 2

    Jul 28, 2026·32m
  28. 28

    The Future Blockbusters Draft: The Directors, Actors, and IP That Will Define the Next Decade

    Jul 27, 2026·34m
  29. 29

    The Surprising Winners of the AI-Enabled Entertainment Economy

    Jul 24, 2026·37m
  30. 30

    Is Netflix Hurting YouTube by Poaching Talent?

    Jul 21, 2026·36m
  31. 31

    Paramount's Strategy to Beat California, With Its Top Lawyer

    Jul 20, 2026·45m
  32. 32

    The Numbers That Have Netflix Investors Spooked

    Jul 17, 2026·34m
  33. 33

    The Data Scientists Quietly Powering Hollywood’s Greenlight Machine

    Jul 17, 2026·37m
  34. 34

    The Case Against WarnerMount, with CA Attorney General Rob Bonta

    Jul 14, 2026·41m
  35. 35

    Is California's $750 Million Bet on Hollywood Working?

    Jul 11, 2026·34m
  36. 36

    Inside the Internet IP Gold Rush Sweeping Hollywood

    Jul 9, 2026·37m
  37. 37

    The Biggest Winners and Losers of 2026 So Far

    Jul 7, 2026·44m
  38. 38

    Why Attendance Tells a Better Story Than Box Office

    Jul 2, 2026·36m
  39. 39

    Will the Comcast-NBCU Split Lead to Another Huge Hollywood Deal?

    Jun 29, 2026·33m
  40. 40

    How Larry Ellison’s Trump Bromance Is Helping WarnerMount

    Jun 26, 2026·35m
  41. 41

    Amazon Won’t Release Its Sam Altman Movie. Will Anyone?

    Jun 22, 2026·33m
  42. 42

    The Secret Industry That Makes Movies Go Viral

    Jun 19, 2026·36m
  43. 43

    Have Platforms Unseated Content as King in Hollywood?

    Jun 17, 2026·33m
  44. 44

    Fox Is Buying Roku for $22B. Is It Now a Streaming Power Player?

    Jun 16, 2026·36m
  45. 45

    Bonus Episode! Matt Risks His Life Eating Wings With Sean Evans of ‘Hot Ones.’

    Jun 14, 2026·49m
  46. 46

    The ‘Obsession’ Windfall and How Indie Hits Pay Out

    Jun 12, 2026·41m
  47. 47

    The Gen Z Box Office Boom and What They Think of Spielberg, Marvel, and Star Wars

    Jun 11, 2026·28m
  48. 48

    Is the ‘60 Minutes’ Blowup a Threat to Ellison’s Empire?

    Jun 9, 2026·36m
  49. 49

    'Backrooms’ Director Kane Parsons on Bursting into Hollywood, Internet Fandom, and Old IP

    Jun 4, 2026·37m
  50. 50

    Is This Hollywood’s First Practical Solution to Control AI?

    Jun 3, 2026·35m
  51. 51

    The Right and Wrong Lessons From ‘Backrooms’ and ‘Obsession’

    Jun 2, 2026·34m
  52. 52

    Peter Chernin on ‘Backrooms’ and Where the Smart Money Is Going in Hollywood

    May 29, 2026·45m
  53. 53

    IMAX Suitors and Why Netflix Put Fincher in Theaters

    May 27, 2026·34m
  54. 54

    Spencer Pratt, Karen Bass, and Why California Politicians Suddenly Love Hollywood

    May 21, 2026·40m
  55. 55

    Hollywood’s Inevitable Pivot to Vertical Video Is Here

    May 20, 2026·35m
  56. 56

    The Hollywood Jealousy Draft: What Each Studio Would Steal From Its Rivals

    May 19, 2026·37m
  57. 57

    Who Won (and Lost) TV’s Annual Billion-Dollar Cash Grab

    May 14, 2026·38m
  58. 58

    What Makes Good TV Writers (and Execs), With David E. Kelley

    May 13, 2026·36m
  59. 59

    Disney vs. Trump in the D’Amaro Era Looks Different

    May 11, 2026·32m
  60. 60

    A Sit-Down With Blake Lively’s Lead Litigator

    May 8, 2026·35m
  61. 61

    SubwayTakes, Tiktok Vs. YouTube, and New Late-Night TV With Kareem Rahma

    May 6, 2026·34m
  62. 62

    Hell Has Frozen Over: Netflix To Release Greta Gerwig’s ‘Narnia’ Exclusively in Theaters

    May 4, 2026·32m
  63. 63

    The 2026 Summer Blockbuster Confidence Ranking

    Apr 30, 2026·42m
  64. 64

    'Michael’s' Big Win, the Reshoot Drama, and Sequel Hurdles with Lionsgate’s Film Head

    Apr 29, 2026·46m
  65. 65

    Peacock’s Battle for Survival and the Catch 22 of Streaming

    Apr 27, 2026·32m
  66. 66

    WarnerMount One Step Closer and the Bizarre ‘Michael’ Backstory

    Apr 23, 2026·34m
  67. 67

    What Scares Hollywood’s Top Producers the Most About the State of Movies

    Apr 22, 2026·40m
  68. 68

    Could Hollywood Actually De-Monopolize?

    Apr 20, 2026·34m
  69. 69

    Nolan, Spielberg, Ellison, Cruise(!), and the CinemaCon Studio Power Ranking

    Apr 18, 2026·1h
  70. 70

    Jon Favreau on the Future of Star Wars, AI, and New Filmmaking Technology

    Apr 17, 2026·40m
  71. 71

    The 3 Biggest Stories in Music: Bieber’s Payday, Ye’s Comeback, and $64B for Universal Music Group

    This episode discusses major music industry developments including Bill Ackman's potential $60 billion acquisition of Universal Music Group and Ye's (Kanye West) controversial comeback attempts.

    Apr 14, 2026·32m
  72. 72

    The ‘Lorne’ Director on Two Years of Exclusive ‘SNL’ Access

    This episode discusses the new documentary 'Lorne' about Saturday Night Live creator Lorne Michaels, featuring director Morgan Neville's exclusive two-year access to the show.

    Apr 9, 2026·40m
  73. 73

    The A-List Filmmakers Evangelizing Movie Theaters

    This episode discusses the new filmmaker council led by Jerry Bruckheimer and Emma Thomas that will advocate for movie theaters ahead of CinemaCon, exploring its purpose and significance in Hollywood.

    Apr 8, 2026·36m
  74. 74

    Does the Surprise Writers Guild Deal Mean Labor Peace in Hollywood?

    Matt Belloni reports on the surprise Writers Guild deal with studios, a four-year agreement that includes AI protections and health plan funding.

    Apr 7, 2026·36m·3 clips
  75. 75

    Are Movies Actually Getting Longer? We Found Out.

    Matt Belloni explores whether movies are actually getting longer, citing data from researcher Stephen Follows on over 36,000 films.

    Apr 3, 2026·33m·3 clips
  76. 76

    Why Hollywood Needs Books More Than Ever

    This episode explores why Hollywood increasingly relies on book adaptations for successful movies, highlighting recent box office hits and the shift from superhero IP to popular books.

    Apr 1, 2026·32m
  77. 77

    Netflix’s Price Hike and Opening Day Debut. Plus, HBO's ‘Harry Potter’ and the Millennial Nostalgia Era.

    This episode discusses Netflix's recent price increases, its strategy to push users toward ad-supported tiers, and the broader context of streaming competition and Wall Street reactions.

    Mar 30, 2026·34m
  78. 78

    Can D.C. Save Hollywood? Senator Adam Schiff on Bringing Production Home.

    Hidden gem

    Senator Adam Schiff joins The Town to talk about keeping production local.

    Mar 27, 2026·36m·2 clips
  79. 79

    Sora Is Dead: What Does That Mean for Disney? Plus, ‘The Bachelorette’ Scandal.

    Matt Belloni and Alex Heath link OpenAI's Sora shutdown to Disney's canceled AI partnership, including Disney getting its $1 billion back.

    Mar 25, 2026·31m·2 clips
  80. 80

    Gosling, MBJ, Timmy, and the Biggest Movie Stars Under 50 Power Ranking

    Ryan Gosling is the opening test: after 20-something years as a movie star, does Project Hail Mary finally make him an A-lister who can carry a movie on his own?

    Mar 23, 2026·34m·2 clips
  81. 81

    Secrets to Commercial Filmmaking With 'The Housemaid' Director Paul Feig

    Paul Feig joins the host to unpack how The Housemaid turned into an out-of-nowhere theatrical hit.

    Mar 20, 2026·36m·2 clips
  82. 82

    The NFL's Billion-Dollar Cash Grab and Whether There’s Any Left for Film and TV

    Alex Sherman says the NFL could reopen its 2021 TV deal early, with CBS potentially moving from $2.1 billion a year to more than $3 billion for Sunday afternoon games after a change-of-control trigger tied to Skydance-Paramount.

    Mar 18, 2026·33m·2 clips
  83. 83

    Oscars Winners and Losers, and Universal’s Pivot to Keep Movies in Theaters Longer

    Mar 16, 2026·36m
  84. 84

    How to De-Age the Oscars with Amelia Dimoldenberg

    Mar 13, 2026·30m
  85. 85

    Why the Biggest Oscar Party Is Cutting Its Guest List in Half

    Mar 12, 2026·32m
  86. 86

    Oscars Preview! Timmy Trouble, a ‘Sinners’ Surge, and a Big Lead for 'One Battle'

    Mar 11, 2026·37m
  87. 87

    Why Netflix Bought Ben Affleck’s AI Company, and If Hollywood Should Worry

    Mar 9, 2026·32m
  88. 88

    How to Chart a Career Path in Modern Hollywood, With Rachel Sennott

    Mar 6, 2026·42m
  89. 89

    Investor Gerry Cardinale on Why WarnerMount Will Work, Middle East Money, and Layoffs

    Mar 5, 2026·41m
  90. 90

    How David Ellison Plans to Mash Two Major Studios Into One

    Mar 3, 2026·40m
  91. 91

    Emergency Pod! Paramount Outbids Netflix and Wins Warner Bros.

    Feb 27, 2026·35m
  92. 92

    The Retro Innovation of ‘The Pitt,’ With Lead Producer John Wells

    This episode discusses the innovative and cost-effective production of HBO Max's hit show 'The Pit' with lead producer John Wells, exploring its retro business model and impact on the streaming industry.

    Feb 26, 2026·34m
  93. 93

    Part 2: Sony Film CEO on Marvel’s Decline and Hollywood’s Originality Crisis

    Feb 24, 2026·33m
  94. 94

    Sony Film CEO on Losing ‘Sinners’ and the Endless Big Tech Battle

    Feb 23, 2026·29m
  95. 95

    Why the Former Sony Head Blames Himself for the Infamous Hack

    Feb 20, 2026·33m
  96. 96

    Netflix CEO Ted Sarandos Makes the Case for Buying Warner Bros.

    Feb 18, 2026·42m
  97. 97

    The Casey Wasserman Scandal, and Who Wants to Buy His Agency

    Feb 17, 2026·31m
  98. 98

    Should Hollywood Take the Microdrama Boom Seriously?

    Feb 12, 2026·33m
  99. 99

    Jeff Probst on What It Takes to Produce ‘Survivor’

    Feb 11, 2026·39m
  100. 100

    Netflix in the Senate Hot Seat, and Disney’s Demographic Problem

    Feb 11, 2026·34m
  101. 101

    The Behind-the-Scenes Jockeying for $10M Super Bowl Ads

    Feb 5, 2026·33m
  102. 102

    What Disney’s CEO Choice Reveals About Its Next Chapter

    Feb 4, 2026·34m
  103. 103

    Netflix's Growth, Peacock's Struggles, and the New Streaming Hierarchy

    Feb 3, 2026·38m
  104. 104

    How a YouTuber Took His Self-Financed Movie Wide Without a Studio

    This episode explores how YouTuber Markiplier self-financed and self-distributed his horror movie 'Iron Lung' to a wide theatrical release without traditional studio support.

    Jan 30, 2026·32m
  105. 105

    The Life of a ‘White Lotus’ Producer, and the ‘Jury Duty’ Sequel Revealed

    Jan 29, 2026·36m
  106. 106

    Sundance ’26 Bidding Wars and ‘Melania’ Box Office Prospects

    Jan 26, 2026·32m
  107. 107

    Oscar Noms ‘26! Five Big Takeaways and Industry Narratives.

    Jan 22, 2026·38m
  108. 108

    The Last Sundance (in Park City) and Why Boulder?

    Jan 21, 2026·32m
  109. 109

    The 2026 Box Office Draft

    Jan 19, 2026·38m
  110. 110

    Actors vs. Studios, and the Existential AI War, With SAG-AFTRA Lead Negotiator

    This episode features an interview with SAG-AFTRA lead negotiator Duncan Crabtree Ireland about upcoming Hollywood labor negotiations, focusing on AI concerns and actor demands.

    Jan 15, 2026·42m
  111. 111

    'Zootopia 2,' China, AI, and the Battle for Originals With the Head of Disney Animation

    This episode features an interview with Jared Bush, head of Disney Animation, discussing the success of Zootopia 2, its impact in China, challenges with AI and original animated films, and the future of the studio.

    Jan 14, 2026·37m
  112. 112

    The Shameless Golden Globes, and Paramount Takes Warner Bros. to Court

    Jan 12, 2026·34m
  113. 113

    Is Hollywood Broken? A Savvy Investor’s View of 2026.

    Jan 10, 2026·37m
  114. 114

    The 2025 Box Office Year in Review: Sydney and Timmy, Superheroes vs. Horror, and Studio Power Rankings

    This episode reviews the 2025 box office performance, discussing overall revenue declines, studio hits like Disney's films, and factors affecting the industry.

    Jan 7, 2026·47m
  115. 115

    2026 Burning Questions: Another Strike? Is 'Avengers: Doomsday' Doomed? And David Ellison’s Movie Taste.

    Jan 5, 2026·31m
  116. 116

    Who Won (and Lost) the Year in Streaming?

    Dec 31, 2025·36m
  117. 117

    The End-of-Year Exec Survey: Next Disney CEO, Where to Sell Your Movie, and Worst Media Exec

    Dec 29, 2025·31m
  118. 118

    The Townies, Part 2: Who Won the Year in Hollywood?

    Dec 23, 2025·44m
  119. 119

    The Townies: Hollywood’s Best and Worst of 2025

    Dec 22, 2025·49m
  120. 120

    Paramount Isn’t Giving up Warner Bros. to Netflix Just Yet

    Dec 18, 2025·37m
  121. 121

    A Warner Bros. Antitrust Debate With Senator Elizabeth Warren, and the Oscars Go to... YouTube

    Dec 17, 2025·36m
  122. 122

    Why Iger Gave OpenAI the Keys to Disney’s Vault

    Dec 16, 2025·33m
  123. 123

    Ariana in Wicked and How to Cast a Billion-Dollar Movie

    Dec 11, 2025·35m
  124. 124

    The Ellison Empire Strikes Back: Paramount Goes Hostile

    Dec 9, 2025·36m
  125. 125

    Netflix Buys Warner Bros. Emergency Pod!!!

    Dec 6, 2025·41m
  126. 126

    Is Film School Still Worth It? With a Top Dean.

    Dec 5, 2025·35m
  127. 127

    Why the NFL (and Everything Else) Keeps Breaking Ratings Records

    Dec 4, 2025·32m
  128. 128

    Would Netflix Really Embrace Theaters to Buy Warner Bros.?

    Dec 2, 2025·37m
  129. 129

    Commercial Vs. Arthouse, Going Marvel, and Notes From Spielberg With ‘Hamnet’ Director Chloé Zhao

    Nov 28, 2025·30m
  130. 130

    Part 1: James Cameron on Avatar Misconceptions, AI’s Skynet Moment, and His Elon Musk Friendship

    Nov 24, 2025·39m
  131. 131

    Part 2: James Cameron on ‘Avatar 4’ and ‘5,’ Movie Biz Fears, 3D, Netflix, and Aliens

    Nov 24, 2025·38m
  132. 132

    Did Hollywood Ever Have a Chance Against YouTube?

    Nov 20, 2025·32m
  133. 133

    The Brewing Backlash to Hollywood Consolidation

    Nov 19, 2025·37m
  134. 134

    The Fall Box Office Crisis: A Phase, a Fluke, or the Future?

    Nov 17, 2025·33m
  135. 135

    Why Anime Is Becoming Undeniable in Hollywood

    Nov 14, 2025·32m
  136. 136

    Tubi Takes on YouTube, and a Michael Jackson Movie Update

    Nov 12, 2025·36m
  137. 137

    YouTube vs. Disney: Who Needs Whom More?

    Nov 10, 2025·31m
  138. 138

    Mailbag! 'Star Wars' and Soderbergh, the Best Home for Warner Bros., and Netflix vs. Theaters.

    Nov 5, 2025·32m
  139. 139

    The 2025 Movie Franchise Draft

    Nov 3, 2025·41m
  140. 140

    Will Big Tech and AI Save or Kill Hollywood?

    Oct 30, 2025·35m
  141. 141

    The Risks and Rewards of Self-Distributing Movies, With Black Bear’s Teddy Schwarzman

    Oct 29, 2025·32m
  142. 142

    Savvy or Desperate? NBCU Poaches Taylor Sheridan From Paramount.

    Oct 27, 2025·32m
  143. 143

    Do Standing Ovations at Film Festivals Mean Anything? The Town Investigates.

    Oct 23, 2025·35m
  144. 144

    Warner Bros. Is Officially for Sale. It's Paramount vs. ... Whom?

    Oct 22, 2025·37m
  145. 145

    Netflix Adds Podcasts and Makes a Deal With AMC Theatres. Why?

    Oct 20, 2025·35m
  146. 146

    Is the “Netflix of AI” App a Friend or Foe to Hollywood?

    Oct 16, 2025·35m
  147. 147

    Apple's True Intentions in Hollywood—With Top Exec Eddy Cue

    Oct 14, 2025·42m
  148. 148

    The Hollywood Stock Market: The Rock, Louis C.K., Kevin Feige, Sora 2, and More!

    Oct 13, 2025·33m
  149. 149

    Part 2: What Ari Emanuel Talks About With Trump and the Rock

    Oct 10, 2025·25m
  150. 150

    Part 1 With Ari Emanuel and Mark Shapiro: AI, Live Events, and the Four-Day Work Week

    Oct 9, 2025·31m
  151. 151

    David Ellison’s $150M Bet on Bari Weiss and a New-Look CBS News

    Oct 7, 2025·32m
  152. 152

    The 'Smashing Machine’ Bomb and A24’s Big-Budget Burden

    Oct 6, 2025·32m
  153. 153

    Sora 2, AI Actors, and How Hollywood Can Fight Back

    Oct 2, 2025·37m
  154. 154

    The Return of the Spec Script—Is There Hope for Original Screenplays in Hollywood?

    Oct 1, 2025·32m
  155. 155

    One Box Office Battle After Another for PTA

    Sep 29, 2025·32m
  156. 156

    Where the Money Is Spent in Hollywood and How It's Changing

    Sep 26, 2025·32m
  157. 157

    Kimmel Is Back, But Disney vs. Trump Is Just Beginning

    Sep 25, 2025·32m
  158. 158

    Kimmel’s Return, Disney’s Decision, and Iger’s Legacy

    Sep 23, 2025·34m
  159. 159

    Jimmy Kimmel vs. the FCC: Can Disney Escape This Mess?

    Sep 18, 2025·35m
  160. 160

    Is the Rotten Tomatoes Formula Fresh or Rotten?

    Sep 17, 2025·38m
  161. 161

    David Ellison Bought Paramount. Now He Wants Warner Bros. Plus, the 2025 Emmys Recap.

    Sep 16, 2025·41m
  162. 162

    The Emmys vs. the Audience: Which Shows People Actually Watch

    Sep 12, 2025·36m
  163. 163

    The Murdoch Succession War is Over, and Fox Crowns its Next Leader

    Sep 9, 2025·34m
  164. 164

    YouTube’s NFL Debut, A Surprise Box-Office Hit at the Sphere, and Warner Bros. Merger Candidates

    Sep 8, 2025·32m
  165. 165

    Why Gen Alpha Prefers the Big Screen Over Their Phones

    Sep 5, 2025·32m
  166. 166

    How To Save Movies With the CEO of AMC Theatres

    Sep 1, 2025·1h
  167. 167

    The Summer Box Office Report Card: Surprise Hits, Big Flops, and Key Takeaways

    Aug 29, 2025·43m
  168. 168

    Venice, Sundance, and the New Film Festival Hierarchy

    Aug 27, 2025·32m
  169. 169

    Why ‘KPop Demon Hunters’ Is a Fascinating Hollywood Experiment

    Aug 25, 2025·32m
  170. 170

    ‘The Traitors’ and How to Craft Hit Reality TV in 2025

    Aug 22, 2025·45m
  171. 171

    Why Fox Is Finally Entering the Streaming Wars

    Aug 20, 2025·32m
  172. 172

    The 10 Worst Things to Happen to Hollywood Since 2010

    Aug 18, 2025·38m
  173. 173

    Paramount’s New Playbook Unveiled and the Taylor Swift Podcast Bounce

    Aug 15, 2025·35m
  174. 174

    The Power and Peculiar Psychology of ‘Disney Adults’

    Aug 14, 2025·32m
  175. 175

    Paramount’s UFC Knockout and Amazon’s Podcast Flameout

    Aug 11, 2025·31m
  176. 176

    Could Movies Start Skipping Netflix to Go Straight to YouTube?

    Aug 8, 2025·32m
  177. 177

    ESPN Jumps Into Bed With the NFL. What About Everyone Else?

    Aug 7, 2025·32m
  178. 178

    Paramount’s New Team, Fantastic Four’s Nosedive, YouTubers in Theaters, and Peacock’s Future

    Aug 5, 2025·32m
  179. 179

    Why It’s Harder Than Ever to Make a Studio Comedy, With Seth MacFarlane

    Jul 31, 2025·28m
  180. 180

    Why IMAX Is Becoming Bigger Than the Movie

    Jul 30, 2025·32m
  181. 181

    Paramount Now Belongs to David Ellison. What Will He Do With It?

    Jul 28, 2025·35m
  182. 182

    The F-You ‘South Park’ Episode and the Precarious State of Comedy in 2025

    Jul 24, 2025·34m
  183. 183

    ‘Fantastic Four’ Pressure, Marvel’s Next Steps, and Kevin Feige’s Future

    Jul 23, 2025·35m
  184. 184

    Colbert’s Next Home, and Netflix Earnings Flexes and Anxieties

    Jul 21, 2025·32m
  185. 185

    Colbert Is Cancelled. Is the Late-Night Dam Bursting?

    Jul 19, 2025·34m
  186. 186

    The 2025 Emmy Nomination Awards: Winners, Snubs, and Thirstiest Campaigns

    Jul 16, 2025·32m
  187. 187

    'Superman,' Marvel vs. DC, and the Studio Head Hot Seat

    Jul 14, 2025·30m
  188. 188

    News and Deal Buzz From Inside Sun Valley’s Billionaire Summer Camp

    Jul 11, 2025·32m
  189. 189

    After a Historic Hollywood Tax Break, Is Moviemaking Coming Back to California?

    Jul 9, 2025·32m
  190. 190

    Why the Paramount-Skydance Merger is "F*cking Up ‘South Park’"

    Jul 7, 2025·32m
  191. 191

    Bribe? Surrender? Both? Unpacking the Trump-Paramount Settlement.

    Jul 2, 2025·28m
  192. 192

    Jason Blum Opens Up About the 'M3GAN 2.0' Flop, the Blumhouse Slump, and Bouncing Back

    Jul 1, 2025·34m
  193. 193

    Apple’s ‘F1’ Win and Big Tech’s Streaming vs. Theaters Debate

    Jun 30, 2025·32m
  194. 194

    The Case for Netflix Pillaging YouTube Creators

    Jun 25, 2025·32m
  195. 195

    Marvel’s Decline, Hollywood Vs. AI, and the Most Under-Covered Stories of 2025 So Far

    Jun 23, 2025·29m
  196. 196

    Tales From the Test-Screening Trenches

    Jun 18, 2025·34m
  197. 197

    The ‘Sinners’ Deal, the Manosphere, and the Biggest Overreactions of the First Half of 2025

    Jun 16, 2025·32m
  198. 198

    How to Get an Emmy Nomination (...for Matt??)

    Jun 12, 2025·38m
  199. 199

    Running a Major Talent Agency in 2025 With the New CEO of UTA

    Jun 11, 2025·33m
  200. 200

    Warner Bros. Discovery Is Splitting Up. What's Next?

    Jun 9, 2025·31m
  201. 201

    Chalamet, Cruise, and the New Celebrity Press Tour Playbook

    Jun 6, 2025·36m
  202. 202

    Clooney’s Big Broadway Bet, and How to Make Real Money in Theater

    Jun 4, 2025·33m
  203. 203

    The Real Winners of the Taylor Swift Masters Mega-Deal

    Jun 2, 2025·30m
  204. 204

    John Mulaney on SNL50 Hijinks and Getting Away With His Late-Night Netflix Show

    May 29, 2025·34m
  205. 205

    The New Path to Stand-Up Fame and Fortune With Mike Birbiglia

    May 27, 2025·36m
  206. 206

    Part 2: Seth Rogen and Evan Goldberg on Rejecting Tim Cook, Pitching Ice Cube, and Plans for More ‘The Studio’

    May 23, 2025·36m
  207. 207

    Part 1: Seth Rogen, Evan Goldberg, and Wild Stories From the Set of ‘The Studio’

    May 23, 2025·32m
  208. 208

    The New Late Night with ‘Hot Ones’ Host Sean Evans

    May 21, 2025·35m
  209. 209

    Is Streaming Killing Music—or Saving It? With a Top Spotify Exec

    May 19, 2025·32m
  210. 210

    The Five Biggest Stories in TV: HBO Max Is Back, NFL Goes Global, and Netflix’s Franchisification

    May 16, 2025·32m
  211. 211

    How YouTube Quietly Took Over TV, With CEO Neal Mohan

    May 15, 2025·39m
  212. 212

    Hollywood Q1 Report: Disneyland in Abu Dhabi, a Warner Bros. Spinoff, and Streaming is … Stable?

    May 12, 2025·33m
  213. 213

    The 2025 Summer Blockbuster Power Ranking

    May 8, 2025·51m
  214. 214

    A Revealing Ranking of the Biggest Movie Stars: Tom Holland's Surprise Rise, Zendaya’s Stronghold, and Glen Powell’s Struggle

    May 7, 2025·32m
  215. 215

    Trump's Movie Tariff Bombshell and Hollywood’s Freak-Out

    May 5, 2025·33m
  216. 216

    The Future of HBO (and Max?). Part 2 With CEO Casey Bloys.

    Apr 30, 2025·30m
  217. 217

    What Is the HBO Brand in 2025? Part 1 With CEO Casey Bloys

    Apr 30, 2025·34m
  218. 218

    Can Paramount Solve Its Impossible Trump Problem?

    Apr 28, 2025·32m
  219. 219

    How the Oscars’ Best Stunt Category Will Work (and Why Stars Are Still Doing Their Own)

    Apr 24, 2025·33m
  220. 220

    Can Netflix Become a Trillion-Dollar Company?

    Apr 23, 2025·32m
  221. 221

    How Did ‘Sinners’ Really Do This Weekend?

    Apr 21, 2025·34m
  222. 222

    What Streamers Really Want From Their Sitcoms, With a Netflix Showrunner

    Apr 17, 2025·34m
  223. 223

    David Zaslav and the Dying Era of Media Moguls

    Apr 15, 2025·32m
  224. 224

    The Trump Tariff Pain Index: Who Suffers the Most in Hollywood?

    Apr 14, 2025·32m
  225. 225

    Coachella and the Changing Music Festival Hierarchy

    Apr 11, 2025·32m
  226. 226

    Director Eli Roth Will Kill You On-Screen for $1 Million

    Apr 9, 2025·32m
  227. 227

    A ‘Minecraft’ Megahit and the Studios Best Suited for Gen Z and Beyond

    Apr 7, 2025·32m
  228. 228

    Tom, Leo, Gosling (!), and the CinemaCon Studio Power Ranking

    Apr 4, 2025·49m
  229. 229

    Agents, Managers, and the Shifting Power Dynamics of Representation

    Apr 3, 2025·32m
  230. 230

    Four Industry Experts Debate Hollywood’s Moviegoing Crisis

    Apr 2, 2025·53m
  231. 231

    Amazon’s Studio Head Firing and the Prime Video 7-Year Report Card

    Mar 28, 2025·36m
  232. 232

    Why YouTubers Are Having a Hollywood Moment

    Mar 27, 2025·32m
  233. 233

    The Most Important Movie for Each Studio in 2025

    Mar 24, 2025·32m
  234. 234

    Apple’s Hollywood Identity Crisis: Who Do They Want to Be?

    Mar 22, 2025·36m
  235. 235

    Trump 2.0: Should Hollywood Be Panicking?

    Mar 20, 2025·32m
  236. 236

    The Four Hottest Topics Around Town: ‘Mickey 17’, Warner Bros., Trump, and Apple TV+

    Mar 18, 2025·32m
  237. 237

    Lively Vs. Baldoni and the Legal Stakes With Baldoni’s Lawyer

    Mar 13, 2025·41m
  238. 238

    Is Netflix Spending its $18 Billion Content Budget Correctly?

    Mar 12, 2025·32m
  239. 239

    An AI Studio Making 'Quality' Movies for Dirt Cheap: Revolutionary or Dystopian?

    Mar 10, 2025·35m
  240. 240

    How the Hell Do Nielsen Ratings Actually Work?

    Mar 7, 2025·31m
  241. 241

    How YouTube Became TV (While TV Struggles to Be YouTube)

    Mar 5, 2025·32m
  242. 242

    2025 Oscars: Sneaky Winners and Losers. Plus, Neon CEO Tom Quinn on a Big Night for 'Anora'

    Mar 4, 2025·40m
  243. 243

    Does an Oscar Matter More or Less Than Ever?

    Feb 28, 2025·38m
  244. 244

    Inside Tips to Predict the 2025 Oscar Winners

    Feb 27, 2025·37m
  245. 245

    Amazon and James Bond: What Could Go Wrong?

    Feb 24, 2025·32m
  246. 246

    'Severance’: When a Hit Show Goes Over Budget, Who Pays?

    Feb 20, 2025·34m
  247. 247

    SNL’s Fate After Lorne, and Streaming’s Most Overpriced Platforms

    Feb 18, 2025·32m
  248. 248

    What’s Next at Netflix With Content Chief Bela Bajaria, Part 2

    Feb 14, 2025·36m
  249. 249

    Netflix vs. Everyone With Content Chief Bela Bajaria, Part 1

    Feb 14, 2025·39m
  250. 250

    Can the ‘Emilia Pérez’ Oscars Implosion Be Salvaged?

    Feb 13, 2025·36m
  251. 251

    New Trouble for the Paramount Sale

    Feb 10, 2025·32m
  252. 252

    NFL and Streaming: A Super Bowl Data Dive

    Feb 6, 2025·32m
  253. 253

    What Worries Directors: AI, Peaked TV, and Baldoni-Gate

    Feb 5, 2025·32m
  254. 254

    Inside the 2025 Grammys: Beyoncé's Win, Chappell’s Speech, and Kendrick’s Sweep

    Feb 4, 2025·36m
  255. 255

    The Secrets to Success in Producing, With Marc Platt of ‘Wicked’

    Feb 1, 2025·36m
  256. 256

    Irving Azoff on His A-List L.A. FireAid Concert, and Six Decades in the Music Business

    Jan 29, 2025·37m
  257. 257

    Is There a Netflix Bubble?

    Jan 27, 2025·32m
  258. 258

    Narratives Surrounding the Oscar Nominations

    Jan 24, 2025·32m
  259. 259

    Changes to the 2025 Grammys and the Complicated State of Music

    Jan 23, 2025·32m
  260. 260

    The 2025 Box Office Draft

    Jan 22, 2025·46m
  261. 261

    Is Hollywood Assistant Life Still Insane?

    Jan 16, 2025·35m
  262. 262

    Why Broadcast Television Won’t Die

    Jan 15, 2025·32m
  263. 263

    How Hollywood (and Awards Season) Can Help Rebuild Los Angeles

    Jan 13, 2025·30m
  264. 264

    The Magical (and Profitable) World of Disney Cruises

    Jan 10, 2025·33m
  265. 265

    Golden Globes Takeaways and the Biggest Questions for 2025

    Jan 6, 2025·32m
  266. 266

    The Townies, Part 2: Who Won the Year in Hollywood?

    Jan 1, 2025·50m
  267. 267

    The Townies: Hollywood’s Best and Worst of 2024

    Dec 30, 2024·49m
  268. 268

    Turning Music Rights Into a Bob Dylan Biopic

    Dec 25, 2024·36m
  269. 269

    A Holiday Grab Bag: Blake Vs. Baldoni, NFL on Netflix, Disney’s Next CEO, and UFC's Next Home

    Dec 23, 2024·32m
  270. 270

    The Multi-Billion-Dollar Plan to Improve Going to the Movies

    Dec 20, 2024·36m
  271. 271

    Making Millions on Dead Celebrities in the AI Age

    Dec 18, 2024·33m
  272. 272

    The Fate of Warner Bros in 2025, and Iger’s Trump Capitulation

    Dec 16, 2024·32m
  273. 273

    Which Streaming Shows Hit and Bombed in 2024?

    Dec 13, 2024·36m
  274. 274

    Which Movies Actually Popped (and Flopped) on Streaming in 2024?

    Dec 13, 2024·34m
  275. 275

    Winners and Losers of 2024 in Streaming

    Dec 9, 2024·32m
  276. 276

    ESPN on Disney+, Cable’s Spinoff Moment, and Who Would Buy CNN?

    Dec 7, 2024·33m
  277. 277

    Equal Pay, Equal Stake: A Filmmaking Experiment

    Dec 6, 2024·32m
  278. 278

    Does Disney Have Its Movie Mojo Back?

    Dec 2, 2024·32m
  279. 279

    ‘Dune’ Director Denis Villeneuve on Plans for Part 3, ‘Star Wars’ Interest, and Art Vs. Commerce

    Nov 27, 2024·42m
  280. 280

    The Young Movie Star Draft

    Nov 25, 2024·41m
  281. 281

    ‘Anora’ Actress Mikey Madison. Plus, ‘Wicked’ Vs. ‘Gladiator II’!

    Nov 22, 2024·27m
  282. 282

    Secrets of the NBA-TNT Divorce Settlement With Bill Simmons

    Nov 20, 2024·41m
  283. 283

    Disney’s Streaming Turnaround and Netflix’s Boxing Debut

    Nov 19, 2024·32m
  284. 284

    Digital TV Giants: Amazon, Google, and … Roku?

    Nov 15, 2024·32m
  285. 285

    Martha Stewart and When a Celeb Disavows Their Doc—With the Director!

    Nov 13, 2024·32m
  286. 286

    Netflix’s Greta Gerwig Situation, a Buried Clint Eastwood Movie, and Streaming’s Good Week

    Nov 11, 2024·32m
  287. 287

    Winners and Losers of Hollywood Under Trump 2.0

    Nov 8, 2024·33m
  288. 288

    How Much Money a Hit TV Show Can Make (and How It’s Changed)

    Nov 6, 2024·42m
  289. 289

    The Existential Crisis of the Cable Juggernauts

    Nov 4, 2024·32m
  290. 290

    Is There a Right Way to Use AI to Make Movies?

    Oct 31, 2024·31m
  291. 291

    FX’s John Landgraf on Resisting the Algorithm, Green-lighting ‘Shogun’, and ‘The Bear’ S3

    Oct 29, 2024·34m
  292. 292

    FX Chief John Landgraf on Silicon Valley’s Effect on Hollywood

    Oct 28, 2024·39m
  293. 293

    The Post-Pandemic Life of a Hustling Screenwriter

    Oct 25, 2024·33m
  294. 294

    Netflix: Unstoppable or Overvalued?

    Oct 21, 2024·37m
  295. 295

    The New Era of ‘SNL,’ 50th Plans, and ‘Saturday Night’

    Oct 17, 2024·36m
  296. 296

    The Secret Recipe For an Indie Horror Hit

    Oct 15, 2024·32m
  297. 297

    The Hollywood Stock Market: Travis Kelce, J.Lo, DC Studios, Prime Video, Todd Phillips, and More!

    Oct 11, 2024·35m
  298. 298

    Is Hollywood Screwing Up Male Characters?

    Oct 9, 2024·32m
  299. 299

    The 'Joker 2' Mega Flop and a New CEO at Sony Pictures

    Oct 7, 2024·32m
  300. 300

    Burning Questions for the Most Uncertain Oscar Race in Years

    Oct 4, 2024·35m
  301. 301

    The End of the $20M TV Host Era

    Oct 2, 2024·32m
  302. 302

    How Should Movie and TV Stars Be Paid?

    Sep 30, 2024·32m
  303. 303

    Lionsgate, Meta, and a Wild Week in AI

    Sep 27, 2024·32m
  304. 304

    How to Make Your Own TV Show (and Get Netflix to Buy It)

    Sep 25, 2024·32m
  305. 305

    Biggest Takeaways From Netflix’s New Data Dump

    Sep 23, 2024·32m
  306. 306

    The War Over the Secret Nine-Hour Prince Documentary

    Sep 20, 2024·35m
  307. 307

    The Screenwriter Struggle and How to Break Through

    Sep 18, 2024·32m
  308. 308

    The Real Winners and Losers of the Emmys With the ‘Hacks’ Creators!

    Sep 16, 2024·32m
  309. 309

    The Dire State of Movie Development

    Sep 12, 2024·35m
  310. 310

    Seth Meyers on Late Night’s Future, 'SNL' 50, and Lorne’s Successor

    Sep 11, 2024·38m
  311. 311

    Five Burning Hollywood Questions for the Rest of 2024

    Sep 9, 2024·31m
  312. 312

    How to Choose the Right Festival to Premiere Your Movie

    Sep 6, 2024·32m
  313. 313

    Who's to Blame for the ESPN Blackout?

    Sep 3, 2024·32m
  314. 314

    Should Someone Step In to Save Warner Bros. Discovery?

    Aug 29, 2024·32m
  315. 315

    Summer Box Office Winners, Losers, and Head-Scratchers

    Aug 27, 2024·42m
  316. 316

    The Billionaire Battle for Paramount and the Return of 'Ted Lasso'

    Aug 26, 2024·32m
  317. 317

    Are Expensive Showrunner Deals Worth It?

    Aug 23, 2024·36m
  318. 318

    The Arms Race Behind Where Movies Shoot

    Aug 21, 2024·35m
  319. 319

    A New Setback in Hollywood's Cable Crisis

    Aug 19, 2024·32m
  320. 320

    The Legacy of the Infamous Sony Hack, 10 Years Later

    Aug 15, 2024·33m
  321. 321

    Kamala’s Hollywood Connections: Do They Help or Hurt?

    Aug 14, 2024·32m
  322. 322

    Why Can’t Apple Figure Out Movies?

    Aug 12, 2024·32m
  323. 323

    The Biggest Losers of Hollywood’s Cable-pocalypse

    Aug 9, 2024·37m
  324. 324

    Disney’s Streaming Profits and Parks Problem

    Aug 7, 2024·32m
  325. 325

    Has the Music Industry Peaked?

    Aug 5, 2024·32m
  326. 326

    The 2024 Intellectual Property Draft

    Jul 31, 2024·35m
  327. 327

    ‘Deadpool & Wolverine’ and Marketing Disney’s First R-Rated Marvel Movie

    Jul 29, 2024·32m
  328. 328

    WBD’s Billion-Dollar War on the NBA

    Jul 26, 2024·30m
  329. 329

    The High Stakes of Broadcasting the Olympics

    Jul 24, 2024·37m
  330. 330

    Is Netflix or YouTube the King in Streaming?

    Jul 22, 2024·32m
  331. 331

    Warner's M&A Options and an NBA Rights Scoop

    Jul 19, 2024·39m
  332. 332

    The 'Star Wars' Ratings Problem and What To Do Next

    Jul 17, 2024·33m
  333. 333

    Does Hollywood Need Deregulation?

    Jul 15, 2024·32m
  334. 334

    Betting on Theaters, Embracing Tech, and ‘Wicked’ With Director Jon M. Chu

    Jul 11, 2024·32m
  335. 335

    Burning Questions About the Future of Paramount

    Jul 9, 2024·32m
  336. 336

    Skydance’s David Ellison on His Plans for Paramount

    Jul 8, 2024·39m
  337. 337

    The NFL's $15B Sunday Ticket Problem

    Jul 3, 2024·31m
  338. 338

    The Biggest Over- and Underreactions of the First Half of 2024

    Jul 1, 2024·37m
  339. 339

    Will the Debate Debacle Revive TV News?

    Jun 28, 2024·32m
  340. 340

    How Much Kevin Costner Stands to Win or Lose on ‘Horizon’

    Jun 26, 2024·32m
  341. 341

    Is Hollywood Really That Effed Up?

    Jun 24, 2024·32m
  342. 342

    Hollywood’s Big Big Tech Problem

    Jun 20, 2024·36m
  343. 343

    Sony Bought a Movie Theatre Chain. Plus, Pixar’s Big Comeback

    Jun 18, 2024·32m
  344. 344

    Jon Stewart on AI Fears, Election Plans, and ‘Daily Show’ End Date

    Jun 14, 2024·29m
  345. 345

    Jon Stewart Talks Apple Split, Corporate Constraints, and Media’s Regression

    Jun 13, 2024·34m
  346. 346

    Paramount-Skydance Is Dead. What Now?

    Jun 12, 2024·37m
  347. 347

    Will Smith’s Comeback and the Butts-in-Seats Star Ranking

    Jun 11, 2024·32m
  348. 348

    The Science of Green-Lighting Movies

    Jun 7, 2024·32m
  349. 349

    Is Netflix Fumbling Ads?

    Jun 5, 2024·32m
  350. 350

    The 2024 Summer Concert Tour Draft

    Jun 3, 2024·33m
  351. 351

    TV Viewers Are Getting Old. Do Advertisers Care?

    May 31, 2024·29m
  352. 352

    The Memorial Day Box Office Meltdown

    May 28, 2024·32m
  353. 353

    Everyone Hates Ticketmaster, but Is It a Monopoly?

    May 24, 2024·32m
  354. 354

    Scarlett Johansson Vs. OpenAI: Does She Have a Case?

    May 22, 2024·32m
  355. 355

    A War Is Coming Over Hollywood Pay

    May 20, 2024·32m
  356. 356

    NFL on Netflix, and Big Tech’s TV Upfronts Takeover

    May 16, 2024·32m
  357. 357

    Latinos See More Movies Than Anyone. Why Is Hollywood Ignoring Them?

    May 15, 2024·29m
  358. 358

    Disney+ and Max Have Bundled, Who’s Next?

    May 13, 2024·32m
  359. 359

    Are Producers in Hollywood Nearing Extinction?

    May 9, 2024·36m
  360. 360

    The Year of Peacock?

    May 8, 2024·31m
  361. 361

    ‘The Fall Guy’ Swung and Missed … Should We Panic?

    May 6, 2024·32m
  362. 362

    The 2024 Summer Blockbuster Confidence Scale

    May 3, 2024·41m
  363. 363

    The Fight for the Last NBA Rights With Bill Simmons

    May 1, 2024·35m
  364. 364

    A CEO Firing, and the Chaos at Paramount

    Apr 30, 2024·32m
  365. 365

    The Rise of Tubi and If “Free” Is Really the Future of Entertainment

    Apr 29, 2024·32m
  366. 366

    Aaron Sorkin, Live From D.C.

    Apr 26, 2024·30m
  367. 367

    Which Bidder Is Best for Paramount?

    Apr 24, 2024·32m
  368. 368

    Netflix’s Backtrack on Transparency

    Apr 22, 2024·32m
  369. 369

    Taylor Swift’s Questionable Return to TikTok

    Apr 18, 2024·32m
  370. 370

    Hollywood’s Struggle to Reinvent Itself

    Apr 17, 2024·32m
  371. 371

    The Best and Worst Media Mergers of the 21st Century

    Apr 15, 2024·38m
  372. 372

    Can IMAX Save Movie Theaters?

    Apr 11, 2024·32m
  373. 373

    Hollywood vs. Big Tech in the Age of Consolidation

    Apr 10, 2024·36m
  374. 374

    Early Winners and Losers of 2024

    Apr 8, 2024·32m
  375. 375

    Why Documentaries Are Better and Worse Than Ever With Sheila Nevins

    Apr 4, 2024·32m
  376. 376

    A WWE Business Smackdown With Nick Khan

    Apr 3, 2024·47m
  377. 377

    The Disney Proxy War: Does Peltz Have a Shot Against Iger?

    Apr 1, 2024·32m
  378. 378

    Inside TMZ’s Cozy Relationship With Hollywood

    Mar 29, 2024·32m
  379. 379

    The Battle for Attention: Streaming Vs. Social

    Mar 25, 2024·32m
  380. 380

    How AI Is Already Transforming Moviemaking

    Mar 21, 2024·32m
  381. 381

    Lemon, Tucker, and the Cable News Star Turned Influencer

    Mar 20, 2024·32m
  382. 382

    The Juice List: The Most Powerful People in Hollywood

    Mar 18, 2024·32m
  383. 383

    ‘The Holdovers’ Plagiarism Claim and How to Protect Your Script

    Mar 15, 2024·31m
  384. 384

    Inside Netflix’s Calculated Sports Strategy

    Mar 14, 2024·32m
  385. 385

    Oscar Winners and Losers and the Updated Movie Studio Power Rankings

    Mar 12, 2024·32m
  386. 386

    Insider Tips to Predict the Oscar Winners

    Mar 7, 2024·32m
  387. 387

    The Money and Power Behind the Oscars’ Red Carpet

    Mar 6, 2024·36m
  388. 388

    New Film Heads and a New Direction for Netflix and Disney

    Mar 4, 2024·31m
  389. 389

    The Awards Season Awards: Which Oscars Campaigns Worked (and Didn’t)

    Mar 1, 2024·36m
  390. 390

    Will AI Video Replace Hollywood?

    Feb 28, 2024·38m
  391. 391

    Panic Time for Max and Warner Bros. Discovery?

    Feb 26, 2024·32m
  392. 392

    The Harsh Data Behind ‘Barbie’ and Taylor Swift’s Success

    Feb 22, 2024·32m
  393. 393

    Peacock-Paramount+ Merger Rumors, Questions, and What-Ifs

    Feb 20, 2024·32m
  394. 394

    How to Win Best Picture on a Budget, With Neon’s Tom Quinn

    Feb 17, 2024·32m
  395. 395

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  396. 396

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  416. 416

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  430. 430

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  435. 435

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  446. 446

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  465. 465

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    Aug 14, 2023·32m
  466. 466

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