A schoolyard legend about a giant bug becomes a warning about intrusive thoughts.
"Ignore the Earwig" turns an urban legend into a dare with consequences, starting in childhood folklore and following how an old fear can test belief. Brian A.

Horror stories read aloud, then a spooky, scary goodnight.
Tark In The Dark belongs to Tarkin, who calls himself a lovable host, names each tale and then jumps right in. The stories range from a hospital worker watching over a boy who still feels pain after his heart stops to a child whose imaginary friend keeps visiting while strange holes appear under the window.
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Tark In The Dark is a horror narration podcast, and one reader shapes the whole thing. Tarkin opens with a set welcome back and gives himself a flattering label, lovable one night and infallible another. Then he names the tale. He says he will just jump right in, and the story takes over from there. The tales usually have one narrator in trouble, speaking as 'I', and they tend to start somewhere ordinary. In 'Decay', a hospital worker lies to a crushed boy about his chances as he is rolled into the operating theater. Later the boy has no heartbeat and still says it hurts everywhere, while the ward waits in quarantine for someone to tell them what to do. In 'Room-Sitting', a temp agency sends the narrator to watch a room under numbered rules, and a voice claiming to be the janitor keeps knocking. 'Fuzzy' belongs to a parent whose five-year-old son, Kevin, announces that his imaginary friend came again. Meanwhile two unexplained holes under the boy's window are larger each time the parent looks. 'Ignore The Earwig', credited to Brian A. Young, starts with the urban legends children grow up on. One of those legends comes back in the narrator's last year of high school, when a kid named Dean Mendez turns up visibly shaken. Not every story plays it straight. The narrator of 'If You Are Armed And At The Glenmont Metro, Please Shoot Me' is on a drug that stretches every minute, and the misery comes through absurd detail: a screaming baby heard as whale song, train brakes as a tuba solo, a computer that seems to take forever to boot. 'A Little Gift' speaks directly to the listener and walks them through a ritual meant for someone who feels that life simply takes too long. It ends by promising a reward instead of a punishment. When a story finishes, the host is back. Tarkin gives a quick verdict, sometimes with a joke, such as wondering whether a childhood imaginary friend was really an old man in a gas mask. After 'Decay' he tells listeners to crawl into bed, hold someone dear and tell them they love them. He also asks for comments and story requests, and most episodes end with a wish for a spooky, scary night and a good night. 'Room-Sitting' is an easy first pick: the rules and the knocking stranger are simple to follow. That episode also opens with thanks to Rebecca Ray for its accompaniment and to Matthew Parrish for the logo. Death, drug use, medical injury and death wishes come up in several of these stories.
Made for: Suits a listener who likes horror fiction read aloud by one voice, and who enjoys a playful host framing grim stories about hospitals, strange jobs and childhood legends gone wrong.
What sets it apart: The stories are grim, but the framing is warm and playful. Tarkin calls himself lovable or infallible at the start and, after the last line, gives a quick reaction and his signature wish for a spooky, scary night.
Creepy Tales
A cat walks through the door; you have never cared more about following the room's rules.
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Short reviews from the PlayNext desk, based on the episodes we processed.
A schoolyard legend about a giant bug becomes a warning about intrusive thoughts.
"Ignore the Earwig" turns an urban legend into a dare with consequences, starting in childhood folklore and following how an old fear can test belief. Brian A.
A drug trial turns a Metro commute into a warped horror of speed, smell, and sleepless time.
This single-episode review tracks a grim little nightmare: a healthy drug-trial subject takes a psychoactive substance that speeds up his perception while his body stays trapped in normal time. The result is not just a clever premise but a cruel math problem.
A temp job at Synthetacorp becomes a rule-bound night watch with one question waiting at the door.
Room-Sitting sends a well-paid temp worker to Synthetacorp, a plain three-story facility at the end of a dirt road in the woods, then lets the night tighten one rule at a time.

One story a night. Stay spooky.

Patient narration for long, strange nightmares.

Narrated horror tales, written and scored by one hand.

Creepypastas read aloud, then judged on the spot.
["Tark in the Dark reads Brian A.
Tark in the Dark's "If You Are Armed And At The Glenmont Metro, Please Shoot Me" follows a drug-trial volunteer whose subjective time breaks after a 10:15 pill.
Tarkin narrates Christopher Maxim’s “Room Sitting,” a creepy tale about a temp worker paid $725 per night to guard a windowless Synthetacorp room from 8 p.m.
Someone ate dinner in the house, locked the front door from outside, and apparently has a key.
Tark In The Dark presents Nightmare's story "Tap...Tap...Tap," in which six-year-old Mr.
The host reads a creepypasta story titled 'Anansi's Goat Man Story' about a family camping trip in Alabama.
A narrator performs a creepypasta story about the Russian Sleep Experiment, a fictional horror tale.