Reading McCarthy is a close-reading room for Cormac McCarthy's works, screenplays, adaptations, and critical legacy. Scott Yarbrough hosts with patience and a reader's appetite for dark terrain. The show is not casual recap. It is conversation shaped by essays, archives, journals, society work, and years of rereading. Guests such as Stacey Peebles and Diane Luce bring film studies, war literature, archival research, and McCarthy Society history into the same frame. That range matters. One episode can examine The Gardener's Son through performance and screenwriting, while another follows Suttree through Tennessee-period research, imagery, and the pull of visual art. The Counselor gets panel treatment, with the question of redemption left open enough for argument. McCarthy's screen life receives especially careful attention. Casting, narrative economy, first-person narration, and the difference between page and film all become part of the criticism. The show also pauses for literary memory, as in the tribute to Rick Wallach. That episode presents McCarthy studies as a community of collaborators, friends, mentors, and readers changed by difficult books. Blood Meridian appears not as a trophy of grimness but as a work that confronts heroic cowboy myth, genocide, cruelty, and language at once. The conversations are learned. They are also plain enough for serious non-specialists who want help entering the scholarship without pretending the work is simple. Spoilers are expected and openly flagged. The vocabulary can be academic, but the rhythm remains that of people thinking aloud across texts they have lived with for years. McCarthy's prose is treated as gorgeous, morally severe, and structurally demanding. His adaptations are treated as separate acts of interpretation rather than mere illustrations. Reading McCarthy is best for listeners who like criticism with footnotes in its bloodstream and conversation in its voice. It gives the McCarthy reader a durable map: books, films, archives, scholars, arguments, and the long shadow of the work.