Wrestling, business, politics, and pop culture unsanded.
RAGE Works Network-All Shows works like a channel surf through opinion-heavy audio: one stop is wrestling releases and kayfabe, another is business owners wrestling with change. The tone shifts by program, but the feed favors unscripted debate, direct reactions, and personalities willing to stay with a thought until it gets messy.
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RAGE Works Network-All Shows is a network feed with a restless, talk-radio metabolism. It does not stay in one lane for long. A listener might move from Turnbuckle Tabloid mourning a wrestler and debating what modern wrestling has lost, to Atomic Business Coaching treating business change as both opportunity and responsibility, to David & Stu... Unhinged! turning political frustration into a fast, argumentative exchange. Film Fights With Friends gives the feed a film-and-friendship corner, with Steven Kepfer and Paul Veraci recapping a season and thanking the people who helped it happen. The result is uneven in the intentional way a network feed can be uneven. One program is all wrestling-business texture: contract news, viewing habits, kayfabe, indie promotions, Paul Heyman, New York WrestleMedia, and the old question of whether fans should accept the match in front of them. Another is more reflective, circling service businesses, crowded communities, lead generation, client relationships, and the nervousness that comes with building something that matters. David & Stu bring the most openly combustible lane, using personal banter as a runway for arguments about Biden, Trump, Trudeau, Canada, Elon, and the Catholic Church. The pace is brisk. The editing energy is loose. Conversations restart, interrupt themselves, and sometimes repeat because the speaker is still trying to land the judgment. That makes the network feel closer to overheard booth talk than packaged commentary. It is not built for listeners who want a single tidy subject. It is built for people who like opinion, digression, and strong personalities moving between wrestling, business, politics, movies, and pop culture. The feed’s appeal is the range: one subscription can sound like a wrestling livestream, a founder roundtable, a political argument, and a film-friends recap, depending on which episode hits next.
Made for: Best for listeners who like blunt conversational shows, especially fans of pro wrestling, business-owner talk, political argument, and loose film banter. It suits people who prefer personality and variety over a tightly formatted single-topic feed.
What sets it apart: The feed’s strength is its network sprawl: Turnbuckle Tabloid, Atomic Business Coaching, David & Stu... Unhinged!, and Film Fights With Friends all sit beside one another. That mix gives PlayNext users quick access to very different rooms with the same reactive, opinion-forward texture.
Get ready for an unbridled, no-holds-barred listening experience on the RAGE Works Podcast Network. We specialize in rants about all things gaming, entertainment, and "the works." From MMA and pro wrestling to the latest shows, movies, and sports, plus business and entrepreneurship, we've got you covered. So, press play and discover what makes us different with a variety of programming for all listeners. Join us for an entertaining and passionate ride through the world of entertainment, business, gaming, sports, and pop culture.
Based on 6 episodes we listened to · September 2026
Its wrestling coverage makes character, spectacle, and audience belief visible as the working parts of screen entertainment.
RAGE Works Network-All Shows moves between distinct programs, with its sharpest TV & Film angle emerging through Turnbuckle Tabloid's treatment of professional wrestling as screen storytelling.
One feed takes you from kayfabe to ice cream sample outrage, with business coaching waiting nearby.
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Short reviews from the PlayNext desk, based on the episodes we processed.
A thoughtful, slightly nervous case for smaller rooms, deeper relationships, and the weight of building something that matters.
Change is treated here as a practical business problem, not a neat personal breakthrough. The hosts stay close to the question of what happens after someone decides to move, with attention on momentum, unexpected connections, and the kind of service work that depends on more…
A loose wrestling argument that folds grief, booking, and kayfabe into one conversation.
Turnbuckle Tabloid moves between two strong currents: it opens with New York WrestleMedia, then settles into Sabu's loss and the larger question of what wrestling asks fans to believe.
A morning-session riff on petty etiquette that hardens into a sharper political argument.
The episode starts in a morning session, and the hosts quickly point out how the schedule has thrown off their body rhythms. It then settles into a familiar comic complaint: David goes after ice cream samples in an ice cream store, then turns to the etiquette of a highly…
A blunt wrestling discussion that moves past the contract news and into what it might mean next.
This Turnbuckle Tabloid episode stays with WWE contract news, then follows the questions it opens up: what happens next, where a wrestler might land, and how injury history changes the value of a run.
A messy catch-up becomes a pointed run through Canada, Trump, and political backlash.
Stu and his co-host begin in the comfortable mess of a catch-up already veering off course: a Kentucky Derby Day party, an old fraternity brother, a drink on the roof, and a small correction over whether the hour was 9 a.m. or 9 p.m.
A loose but thoughtful wrestling debate about Sabu, kayfabe, audience connection, and what still makes matches matter.
Turnbuckle Tabloid frames wrestling as a push and pull between performance, memory, and the audience's need to believe. The host begins with mourning another wrestler before turning to Sabu, using that shift to ask what is left once kayfabe has been exposed.
A coffee-line grievance rolls into a fierce Biden reckoning, with Weiner getting one last political airing.
David and Stuart open in familiar comic irritation, turning ice-cream samples and an overbuilt coffee order into a wider complaint about delay, fussiness, and everyday performance. The small grievance does not stay small.
Doctor Who fandom, shelved and remembered.
Irish screen culture, from craft to release.
The episode begins by mourning the death of wrestler Sabu and discussing the physical and emotional toll professional wrestling takes on performers.
Hosts David and Stu rant about customer service pet peeves, including a detailed story of a difficult coffee shop customer.
Adam Thomas Hurd and Tom Marino open RAGE Works Network-All Shows' "Atomic Business Coaching | Change, Opportunity & The Birth of the First M Club" by asking whether opportunity comes from change or change comes from opportunity.
David and Stu open in a morning session and immediately note how off the timing feels.
The show opens with a disclaimer for Rageworks, then rolls into a launch for New York WrestleMedia.
Turnbuckle Tabloid opens on WWE contract non-renewal news, but the hosts hold off a bit before acting like the first announcement tells the whole story.
This episode explores how business owners can overcome periods of confusion and lack of clarity by submitting to the reality of their strengths and focusing on what works best for their unique business needs.
The hosts discuss their desire for a larger audience and critique recent political events, including Trump's election and liberals' post-election admissions about Joe Biden.
David and Stu spend most of RAGE Works Network-All Shows, Episode 43, attacking Trump’s push to rename Veterans Day as “Victory Day” and reading veteran reactions about “courage, sacrifice, and service.” They also argue that Trump’s fights with Canada, Mexico City, and world trade produced “no major legislation” and “no major trade deal,” despite claims about tariffs and annexation.
Hosts Steven and Paul celebrate the season finale of their film podcast by recapping favorite moments from previous episodes without a guest.
This episode features an interview with Scott Boyett, a firearms expert and consultant for TV shows who also has a background in acting and military history.
This episode previews the upcoming Star Trek: Section 31 movie through roundtable discussions with the director and cast members from a press event at New York Comic Con.
The hosts discuss the upcoming season finale and interview Kristen Murphy about her role in the horror film Bloodline Killers.
This episode features an interview with Brett Copes from Fighter Flight Entertainment, discussing the concepts and safety of rigging for stunts in film versus stage, without technical how-to details.