Escape Artists Foundation
301 episodes listed below
Horror with teeth and conscience.
Pseudopod pairs horror fiction with careful editorial framing, moving from dread-soaked stories into author context, narrator credits, and pointed reflection. Its episodes favor unease with teeth: bad doors, infected bodies, grief, obsession, and apocalypse handled without polite distance.
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Pseudopod is a horror fiction anthology with the patience to let dread accumulate. It does not rush the story to get to the explanation. Recent episodes show a format built around narrated fiction, careful author framing, rotating hosts, narrator introductions, audio credits, and content warnings when the material warrants them. The result feels literary without becoming sealed off from the body. These stories are full of pressure points: the town that should not be on the map, the impossible door that eats family history, the dryad who understands obsession too well, the corpse turned into somebody else’s art, the researcher deaths reduced by bureaucracy to policy language. The show returns often to the gap between what happened and what people are willing to call it. That gap is where much of its horror lives. A shooting becomes an incident. Grief becomes a treatment question. Desire becomes possession. A vacation stop becomes a trap with tasteful colors and wrong signage. Pseudopod also has a clear affection for the machinery of horror publishing itself. It names authors, narrators, prior appearances, original publications, awards, collections, and the people behind the audio. That context does not flatten the fiction; it sharpens the sense that every scare was made by someone, voiced by someone, and placed in a tradition that deserves scrutiny. The rotating hosts bring different textures, but the house style remains steady: grave, wry, humane, and willing to be disgusted. It can joke about ancient beings and artificial intelligence, then turn quickly toward terminal illness, bereavement, decay, violence, or apocalypse. The show is not interested in clean little thrills. It favors horror that stains the domestic, the intimate, and the official record. Fans of atmospheric narration, dark speculative fiction, and editorially curated anthologies will find a deep bench here. Listeners looking for casual background creepiness may find it heavier than expected. That weight is the point.
Made for: For listeners who want narrated horror fiction with atmosphere, craft notes, and moral pressure. Best suited to fans of dark anthologies, weird fiction, and stories that leave the room colder afterward.
What sets it apart: Pseudopod stands apart by treating horror stories as both performances and literary artifacts. The author context, narrator handoffs, and editorial commentary keep the fiction connected to craft, lineage, and consequence.
The Sound of Horror
Based on 6 episodes we listened to · September 2026
Pseudopod turns intimate fears and institutional absurdity into sharply performed horror stories with a wide imaginative range.
Pseudopod gives each story an editorial frame, identifying its writer and narrator before handing the episode to a sustained performance. The result is a narrated-fiction anthology with an elastic sense of horror.
Evil doors, dogmen, and weaponized paperwork give you fresh reasons to distrust ordinary life.
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Short reviews from the PlayNext desk, based on the episodes we processed.
Four stories, a salt-stung quote, and a steady drift into dread.
Pseudopod 1024 leans on anthology contrast for its scare: a ritualized opening, a line about salt and what never healed, and four stories that move from Arthur Macken's 1924 Witchcraft to later pieces of family strain, coastal unease, and appetite.
A desire story that lets longing curdle into obsession and bodily unease.
This review follows Grandifolia as it turns a brief affair into something bruised and hard to shake. A dryad keeps the narrator from hiding what desire has done, and the story keeps tightening the screw: shame, hunger, and bodily trespass crowd in until the whole thing feels…
Bureaucracy and bodily horror collide.
Joely Tumajan follows a security guard after he shoots two researchers infected with a zombie virus, and the episode works best when it lets official language carry the harm.
A family dispute and a missing cousin turn into a sharp horror story about dangerous doors.
Bad Doors turns a family argument, a missing cousin, and a COVID fight into horror that keeps circling back to doors you cannot trust. It stays close to ordinary domestic talk, which helps the dread land harder than any big setup would.
A dead lover, a stifling studio, and an obsession that turns devotion into desecration.
Pseudopod 1018, The Polyamorous Heart of Death, stays close to a dead lover, a paint-slick studio, and the slow way consent slips into obsession. Kat Day hosts, and Jordan Carella carries the story with a steady, uneasy edge.
A riverbank full of bones gives way to a lean, nasty creature story.
On a damp riverbank in the Mark Twain, a pile of bones opens into a hunt, and what rises out of the mud is clearly not any ordinary animal. Richard Dansky gives Pseudopod a lean creature story built on bite marks, half buried remains, and a dogman that shows up seven feet off…
Silence becomes the threat in this bruised, domestic horror story.
Pseudopod turns a simple command, "do nothing," into a trapdoor beneath Kelly G., a latchkey kid whose life is shaped by a father who left, a mother working days and nights, and a cramped row house.
A strange wall image slowly curdles into a poisoned domestic nightmare.
Madame Paint for Sale opens on a strange image and lets that unease seep through the house until ordinary life feels tainted. John Langen handles the details well: the white streak on a face, the mark outside the bedroom, the cat's abrupt death, and the vet's bafflement over…
Patient tales from the uneasy dark.
Pseudopod 1024 opens with the show’s warning and its steady reminder that it is made by humans for humans.
The chalkboard changes once you look away.
A therapy call turns into an open wound.
Pseudopod 1021, “Bad Doors” by John Wiswell, follows Cosmo after a burgundy door appears in the wall of his house during the early COVID period.
This episode features the horror story 'Walking Tour of Scarborough in Nuclear Winter' by Stuart C.
This episode features the horror story 'Superstition' by Silvia Moreno-Garcia, narrated by Ray Lundberg, exploring themes of truth and destruction in a dark fiction setting.
Horror is powerlessness.
A weekly horror podcast presenting a narrated short story titled 'In the Hands of a Different God' with content warnings for terminal illness and bereavement.
A horror fiction podcast presenting a collection of short horror stories with narrators and host commentary.
A horror fiction podcast presenting a narrated short story titled 'What Haunts the New Build' by Megan Cain.
A weekly horror podcast presenting a narrated short story by Irvin S.
This episode features a narrated horror story by Clark Ashton Smith, introduced with background on the author and the show.
This episode of Pseudopod presents a classic horror story 'The Book' by Margaret Irwin, narrated by Alastair Stewart.
This episode of Pseudopod features two 1930s works: the poem 'Tailpiece' by Harry Graham and the horror story 'The Second Awakening of a Magician' by S.L.
This episode of Pseudopod features a horror reading of William Faulkner's classic short story 'A Rose for Emily' as part of their annual public domain showcase focusing on works first published in 1930.
This episode of Pseudopod features the horror story 'Cyanide Constellations' by Sarah Tantlinger, narrated by Tanya Milosevic, with host and production details.
This episode of Pseudopod features the horror story 'The Children of the Event' by Carson Winter, narrated by Matt Arnold, with host Alistair Stewart introducing the author and narrator.
Full moon, adult warning, then teeth.
Kelly is told to do nothing.
Pseudopod 1004 opens with a warning.
This episode of Pseudopod presents a horror story titled 'House Traveler' by Thomas Ha, narrated by Preston Buttons.
Pseudopod presents a horror short story titled 'The Squatters' by Shauna Yang Ryan, narrated by Rebecca Wei-Xie.
Pseudopod is a weekly horror podcast featuring narrated horror stories, with this milestone episode including a story by Arthur Macken and an interview with the departing editor.
This episode of Pseudopod features two original horror stories for Halloween, including a tale about cats and a Halloween parade.
A weekly horror podcast presenting a narrated short story titled 'Barguest' by Susan King, with host introduction and author background.
A horror fiction podcast presenting a classic short story from 1927, introduced with context about the author and era.
A weekly horror podcast presenting multiple narrated short stories with adult content and horrific situations.
Pseudopod presents a horror story titled 'Some Say Art Deals with the Unexpected' by James Daw, narrated by John Michner.
Pseudopod is a weekly horror podcast that presents a narrated horror story, introduced by the host with background on the author.
This episode of Pseudopod features the horror story 'At the God Show' by Shannon K.
This episode of Pseudopod presents a reading of Zora Neale Hurston's short story 'Spunk', introduced with background on the author.
A horror fiction podcast episode featuring a narrated tale of obsession and madness titled 'The Vibrations.
A horror fiction podcast episode featuring an original short story about demonic possession, with content warnings and author/narrator introductions.
A weekly horror podcast featuring narrated short stories, with this episode introducing 'Fat Betty' by H.R.