Pop Pantheon runs in two recurring formats. The long-form episodes are one-on-one interviews, often close to two hours, in which host DJ Louie XIV works through a single artist's career across multiple installments with a scholar or critic — Emily Lordi, author of The Meaning of Soul, on the Jackson 5's Motown rise and Michael Jackson's later reckoning with a stolen childhood; Jason King of NYU's Clive Davis Institute on Madonna's Like a Prayer, the Sex book, and the Blonde Ambition Tour. These conversations use music-criticism concepts like pop auteur theory, polysemic songwriting, and rockism, and address difficult material directly, including the abuse allegations covered in Leaving Neverland. The shorter episodes pair DJ Louie XIV with co-host Russ in a panel format built around the 'Step Up, Step Down' segment, where chart units, Hot 100 positions, and critic scores are marshaled to argue an artist's trajectory — recent subjects include Justin Bieber's Swag, Doja Cat's V, Sabrina Carpenter's Man's Best Friend, and a Taylor Swift mailbag covering her first three albums. Recurring themes across both formats include the cost of child stardom, an artist's long-term reinvention strategy, and how streaming-era chart mechanics and meme culture now shape which songs become cultural events. The show treats pop stars as subjects of serious critical analysis rather than casual fan chat. Listeners who want album-era retrospectives paired with data-driven chart debate are the core audience, and production leans on guest expertise and prepared statistics rather than loose conversation.