Pop Girlies is an album-review podcast in which three hosts, Drew, Maria and Levi, take a single record and talk it through from first track to last. The shape holds across the recent run. Each episode opens with wordplay on the album's title: a welcome to the fruit garden for FROOT by Marina and the Diamonds, a yee-haw from the middle of nowhere for Kacey Musgraves, a promised mass seduction of the ears for St. Vincent. A check-in follows, sometimes a favourite-fruit poll, sometimes a rant about doing badly that the ranter immediately retracts. Then the album itself. The hosts take turns with their history of the record, whether they heard it the week it came out or know nothing going in, and one cheerfully flags a coming album as a first listen. Song-level praise is held for what they call their holy trinities. The sign-off is a running bit of its own: each host leaves by announcing where they are headed in the words of the album's songs, off to the smoking section, off to climb their mountains, off to the heart of the woods. The selection roams past chart pop. Recent episodes cover Grimes and Art Angels, St. Vincent and MASSEDUCTION, and a multi-episode pass through Kacey Musgraves, with Deeper Well and Middle of Nowhere done and earlier albums still to come. The vocabulary is pure stan: tea, period, girl, diva, come on. Underneath it the hosts commit to opinions. One calls a Kacey Musgraves album far stronger in its second half and wishes the vocals carried more colour, setting Miranda Lambert up as the emotive counter-example. Elsewhere a host argues that a St. Vincent record is her most accessible and most poppy, then reaches for Bowie to explain the album-to-album swerves, drawing a line between artists who show new facets of themselves and one who builds a new character and world each time. The Grimes conversation lands on the Venus Fly video, admired as stunning visual work even as the admirer notes it is partly an advertisement for the software behind it. Personal history threads through: a Marina album remembered from the height of daily-vlog YouTube culture, a Kacey release heard within its first week because a co-host picked it and support was owed. Tangents run to Saturn returns, whether the Deeper Well photos were shot in Iceland or Ireland, and the case for bringing back the stocks. The giggle fits stay in. So does the occasional swear. It is a show that treats an album as an excuse for a hangout, and the hangout as an excuse for an actual argument about the music.