The Paris Institute for Critical Thinking runs several podcast series, and this feed carries a number of them side by side. That makes the series name at the start of each episode title the real signpost. Bookaholics is the book strand, and one of its interviewers introduces it by naming the vice every faculty member shares: an addiction to books. By house tradition, the author gets the first word. Christophe Van Houten's conversation with Jacob Soll about Free Market: The History of an Idea follows market thought back to Cicero, as reworked by mercantile republics, and makes a case for Colbert, finance minister to Louis XIV, as a central figure. A dry aside comes up along the way: economists insist nothing comes for free, yet treat the market itself as if it did. Stephanie Papa's episode with the poet Stuart Dischell takes up his collection The Lookout Man. She draws out the humor he lets into dark and uncomfortable moments, and brings in Paul Valéry on laughter and Stanley Kunitz's poem The Portrait as reference points. The Last Ottoman is a series about the Ottoman Empire and its legacy today. In it, David Selim Sayers sits down face to face with Iain T. Benson, a former barrister turned academic and legal philosopher. Benson sets out three ways religion can relate to the state: beneath it, separate from it, or cooperating within it like the interlocking Olympic rings. Sayers, for his part, says he reads history neither as obsolete nor as a mere preparation for the present. Dates with Death takes on a subject its opening describes as long treated as taboo in the West, and borrows from Cicero the idea that meditating on death is philosophy's defining task. Its guest Jan Age Sigvartsen, an adjunct professor in Old Testament studies, discusses death and the afterlife in apocalyptic and pseudepigraphic literature. Asked why death, he answers personally, recalling losing his mother in a car accident when he was nine and the resurrection hope of his faith. PICT Voices is the interview series, and it can turn to current events. With Zachary Foster, a historian of Palestine, Sayers asks whether the escalation after the Hamas incursion into Israel can lead anywhere but deeper radicalization; Foster says he cannot imagine a worse situation for either side. Among all this talk sits A Cloud In Love, a narrated fairy tale in which a dervish plays his ney beneath a cypress tree and trees, rivers and roads tumble out of it. A cloud falls for a woman named Aisha, polishes the moon and stars for her, and turns into a saz to sing her a lullaby. Several episodes end with an appeal to support the institute through membership. The easiest way in is by strand: Bookaholics for books, The Last Ottoman for history and law, Dates with Death for mortality, and A Cloud In Love for something else entirely.