Nevertheless She Existed is a feminist history show recorded in front of a live crowd at Caveat, a basement comedy club on the Lower East Side of Manhattan. Every story has one job: to celebrate a woman whom history underappreciated, overlooked or forgot altogether. The interesting part is who gets the microphone. Hosts Kylie Holloway and Molly open with context and some history, then give the stage to a guest, and the guests are a mix of comedians, activists, academics and performers. Each one handles the material differently. Moiya McTier, telling the story of Willie Hobbs Moore, stops to ask the room for a show of hands on redlining. She then explains how 1940s federal housing maps marked neighborhoods with many Black residents as dangerous, which kept Black families in Atlantic City boxed into those areas. Junior Mintt plays Mary Ellen Pleasant for momentum, following a white-passing businesswoman in the 1800s through laundromats, flower shops, boarding homes and men-only restaurants, where the gossip of businessmen doubled as her education. Catherine Clune-Taylor takes a more reflective line on Audre Lorde, talking about Lorde's difficult relationship with her mother and her insistence on being taken as a whole person, Black and lesbian at once. Solange Azor presents Marsha P. Johnson's demand for gay rights as a demand for liberation for everyone, bound up with fights against racism, classism, sexism and the police. Azor also mentions that the first trans statue in the United States is coming to the city. Two episode titles share the banner 'Boss of Her Body'. In one, Brittany Brave and Onika McLean arrive dressed as Flo Kennedy and list her roles: lawyer, activist, feminist, civil rights advocate, actress and defender of abortion rights. In the other, the storyteller mentions that the piece began as a master's thesis performance, and tells how Joycelyn Elders became the first Black woman surgeon general of the United States and was later fired. The comedy is bawdy and unembarrassed, from kegel jokes about the green room to a sign-off urging kindness to other women and queer people. It gets emotional too, and one teller admits to crying at the back for the whole show. A run of episodes was released to platform Black storytellers from the show's community, drawn from live sets that had not yet reached the feed, as a gesture of solidarity with Black Lives Matter. That run is a good place to start, because each piece pairs one woman with one voice. The Willie Hobbs Moore story comes from one of the show's first live shows. The show is a production of Caveat Media, produced by Kylie Holloway and edited by Paula Pickering. What a listener gets is women's history told by people with a stake in their subject, to a room that is invited to answer back.