Mystified is Tasha and Steven trading strange stories, which one opening admits are mostly murders. Episodes start with the same line, 'My name is Tasha. This is Steven,' and then wander before any case appears. The warm-up is part of the draw. Out in the country, fireworks and gunfire sound alike, so the pair plan to spend the next couple of days playing a guessing game about which is which, and remember a neighbor who fired a cannon on holidays. During one introduction a Superman figure topples over in the corner; Batman, they decide, has the better base. A power outage on a sunny day pushes another recording back and earns a dry line about the Texas grid. Summer heat comes up again and again. Then a case begins, and the banter keeps running alongside it. One of them carries the facts while the other guesses ahead, cuts in, or deadpans 'cool cool cool.' The cases cover a long span of time. In 'A Joke To Die For- The Murder of Elvira,' an 1847 marriage between a dressmaker who wanted balls, parties and the theater and a man who preferred drinking and nine pins gets blunt running commentary. 'Blood and Booze: The St Valentine's Day Massacre' reaches the day three of Capone's gunmen walked into O'Banion's North Side flower shop, and pauses to observe that fighting over territory is not just a mob thing but a human one. 'When The Remedy Is Worse Than The Disease: Medicine, Love, And Murder' recounts, in old-fashioned phrasing, a confrontation over a marriage certificate issued under false names, with a man named Harris explaining he wanted an easy way out. 'La Dama Del Silencio: Not Good Lucha Things' includes a woman held in custody who, by the account given, was left bleeding and had her family threatened, yet kept maintaining her innocence while more murders followed. The jokes do not stop the pair from taking a side. 'James Scott: When The Levee Broke' moves from volunteers handed tape to patch ripping tarps on the levees to a closing argument that a man is serving life for something no one could have done, a situation they tie to a story kept hush-hush. 'Mystified PRIDE: Jackie Shane' is openly sincere, admiring anyone brave enough to get dressed and go out to a queer Black nightclub in the 1950s when a raid was a real risk, with a detour into one of them remembering the Copa, a club in their town with drag queens and music by The Smiths. Its sign-off is just as direct: anyone who did not enjoy it is told the next episode will hold the same views. Swearing is frequent, and several episodes open with a warning about sexual content and violence.