Matinee Heroes is a movie conversation show built around affection, argument, and the pleasure of remembering scenes together. The format is straightforward: choose a film, set up the premise, then let Craig Price, Elizabeth Rapp, co-hosts, and guests work through what makes it funny, strange, dated, sharp, or durable. It has range. Recent episodes move from alien-road-trip tenderness in Starman to Men in Black's secret-world comedy, then from Paul into the shadowy machinery of Mystery March. The show is comfortable with genre. It talks about noir, suspense, science fiction, creature features, detective stories, movie marketing, and the awkward seams where sincerity and comedy meet. The best moments often arrive sideways. A conversation about Rear Window can turn into memory, plausible deniability, and the problem of watching a movie too far before recording. Chinatown becomes a route into Los Angeles water politics, corruption, public goods, and the way American competition frames everyday life. The Third Man invites talk about Dutch angles, disorientation, black markets, and an inept protagonist who thinks he understands more than he does. Then the room snaps back into jokes. Pugs, deer, car names, convention fatigue, hockey chants, and tungsten underwear all wander through the episodes without turning them into pure digression. The tone is informal but not careless. When the show brings in CONversations with Craig, it widens from film discussion into behind-the-scenes entertainment talk, including Dane DeLiagro describing the hard physical work of playing the Predator in Prey. That episode adds a practical, tactile layer: suits, heat, motion capture, stunts, and the hidden effort inside screen monsters. Matinee Heroes works because it lets movie fandom stay human-sized. It values craft and story, but it also values the table talk that happens around them.