The Last Podcast Network
500 episodes listed below
True crime dragged through a haunted group chat.
Last Podcast On The Left is a dark-comedy true-crime show where grim cases collide with horror fandom, reckless banter, and source-checking mid-argument. It can swing from Jimmy Savile and the Gilgo Beach investigation to Easter Bunny confusion, funk history, and hammer-movie riffs without slowing down.
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Last Podcast On The Left is a dark-comedy true-crime show with a horror fan's appetite and a panel's refusal to behave like a polite documentary. It opens hot. Cases arrive through banter, jokes, corrections, and digressions that can sound reckless until the facts start snapping into place. Recent episodes move through Jimmy Savile, the Dnepropetrovsk Maniacs, the Gilgo Beach investigation, and a murder-themed bracket, with side routes into horror movies, monster logic, police tactics, and bad decisions made in public. The subject matter is often punishing. The delivery is not solemn. That contrast defines the show. It can acknowledge how grim a story is, then immediately spin into a ridiculous argument about slang, pizza crust evidence, hammer cinema, or whether Peter Cottontail counts as the Easter Bunny. Underneath the noise, the panel keeps circling sources, documentaries, suspects, documents, and investigative choices. It likes the process of figuring things out out loud. That means listeners hear uncertainty, pushback, and corrections as part of the structure rather than polished narration pretending to be effortless. Side Stories episodes broaden the field into current crime updates, strange news, tour chatter, and pop-culture riffing. Interview episodes bring in guests such as Matt Bettinelli-Olpin and Tyler Gillett for horror-film talk that quickly turns toward paranoia, fandom, and absurd hypotheticals. George Clinton and Danny Bedrosian appear in the show's orbit through a funk-focused Side Stories episode, showing how far the format can stretch without losing its basic charge. The show is not trying to be neutral. It is trying to make dreadful material survivable through momentum, argument, and comic pressure. It suits listeners who can handle hard stories when they are filtered through gallows humor and chaotic curiosity. It will not suit anyone looking for restrained casework, victim-first minimalism, or clean narrative distance.
Made for: For horror fans, true-crime regulars, and comedy listeners who can handle disturbing cases when the room is loud, skeptical, and irreverent. Best for listeners who want research with momentum, not solemn minimalism.
What sets it apart: The show stands apart by letting the panel's interruptions, corrections, fandom tangents, and absurd hypotheticals become part of the reporting engine. It treats horror culture and real crime as connected obsessions without sanding down either one.
The Last Podcast on the Left covers all the horrors our world has to offer, both imagined and real. From demons and slashers to cults and serial killers, The Last Podcast is guaranteed to satisfy your bloodlust. Subscribe to SiriusXM Podcasts+ to listen to new episodes of Last Podcast on the Left ad-free, plus get Friday episodes a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus.
Based on 6 episodes we listened to · September 2026
Detailed case narration meets restless group banter, with hosts questioning evidence, correcting one another, and following true-crime stories into broader cultural conversations.
Last Podcast On The Left turns grim cases into fast, argumentative group conversation, moving between detailed narration, sharp questions, personal asides, and elaborate comic detours.
A serial-spree account detours through The Good Son; your appetite for tonal whiplash has found company.
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Short reviews from the PlayNext desk, based on the episodes we processed.
A pizza crust, a trash can, and a planning document carry this episode's weight.
This episode leans hardest on the mechanics of the case, starting with a manic, joke-heavy opening before settling into the police pressure building around the man they were tracking.
Artemis 2 footage, rabbit lore, and a fast-moving argument with a loose edge.
The episode opens on Artemis 2 footage and moon-watching, then slides into rabbit lore, moving from Peter Cottontail to the Easter Bunny and into a dispute over costumes and identities that lands in an AMC theater next to the mall.
Fast, unruly creature talk, lively banter, and a tour-date wrap that still feels in the room.
This episode leans into sponsor chatter, backstage confusion, and a quick-moving debate over which creatures can make it through which biomes, from critters to ghoulies to trolls.
A noisy origin story where jokes and horror keep colliding.
This installment backs up to 2010 for hernia jokes, black mold complaints, and a turn toward the Dnepropetrovsk Maniacs. It follows Igor and Victor through school terror, then eases the strain with The Good Son and a blunt CBT riff.
A relaxed Predator conversation lands best when Trachtenberg discusses Goodman's unpredictable 10 Cloverfield Lane takes.
Dan Trachtenberg's appearance places Predator Badlands in a relaxed discussion about franchise ownership, risk, and the satisfaction of making a "really crazy movie" that audiences ultimately embraced.
Waco becomes a story about certainty, bureaucracy, and what happens when nobody hears the other side.
Waco is the hinge point here, but the cleaner thread is how certainty hardens into disaster. Jeff Guinn gets a warm welcome, and the conversation keeps returning to the Branch Davidians, the ATF, the FBI, and the chain of decisions that makes the siege look nearly inevitable in…
Dark history, bad taste, live-wire banter.
Gaming culture, derailed on impact.
Grief comedy with its heart still open.
Banter with bad ideas attached.
Irish pop-culture riffing with teeth.
The hosts discuss cannibalism cases with dark humor, referencing documentaries and using absurd slang.
Side Stories opens crooked.
The moon gets heckled first.
The hosts engage in casual banter about a life-changing bowel movement and express affection for their friends and colleagues.
Bracket logic goes feral fast.
The hosts debate whether it's inappropriate for a white couple to dress their dogs as African-American historical figures for a Black History Month-themed cruise.
An interview with directors Matt Bettinelli-Olpin and Tyler Gillett about their new film Ready or Not 2 and their experiences in Hollywood.
Welcome to 2010.
Ed Larson bolts out of the gate and never really slows down.
Jeff drops into Last Podcast on the Left for a Waco conversation that starts moving and never really stops.