Charlotte Brontë's Jane Eyre is presented here as a LibriVox dramatic reading, broken into episodes that each carry a single chapter. Chapters are introduced by number, and several add a note that the recording is in the public domain. Then the story takes over. The draw is the casting. Rather than one reader carrying every voice, the parts are divided: Elizabeth Barr is credited as Jane, Arielle Lipshaw as young Jane, and Eden Rea-Hedrick as the narrator. Some readers stretch across several roles, so Jared Hess is credited with John Reed, Mr. Lloyd and Mr. Mason, among others. Jane still tells her own story, and at moments she turns to speak to the reader outright. Chapter 1 is the natural way in. Cold rain has cancelled the afternoon walk, and Jane, glad of it, settles with a book of pictures whose fiend and gallows both frighten and fascinate her. She recalls Bessie's winter-evening stories, told over the ironing table by the nursery hearth. Then John Reed bursts in with 'Boo! Madam Mope!', Jane flies at him, and Mrs. Reed orders her locked in the red room. The later chapters sampled here cover a very different stretch of her life. On the eve of her wedding, with her trunks packed and corded, she cannot bring herself to attach the cards addressed to 'Mrs Rochester', and the dress in her closet shimmers like a ghost. Next morning Sophie takes so long over the veil that Rochester sends up to ask why, then greets her as 'Lingerer' and pronounces her 'fair as a lily' while a footman reports that Mr. Wood is already in the vestry. Chapter 27 finds her no longer Edward Rochester's bride, caught in a fierce struggle between conscience and passion over leaving Thornfield. Chapter 28 is the bleakest of the set. A coach sets her down at Whitcross, a stone pillar where four roads meet, with her parcel forgotten inside it and not a shilling to her name. She offers a handkerchief, then her gloves, for bread, and is refused both. The chapter closes more gently, with a warm, dry bed and grateful sleep. In Chapter 32 she is teaching village children, translating German and painting a miniature of Rosamond Oliver, while Mr. Oliver's view of a match between Rosamond and St. John comes into focus. It suits a listener who wants the novel performed rather than simply read aloud.