It's All Been Done Radio Hour is scripted comedy fiction with the metabolism of a repertory show. Recent episodes show a rotating set of worlds rather than one fixed premise. Universe Journey handles starships, alien planets, diplomatic visits, crew friction, android complications, and the strange intimacy of people stuck together far from home. The jokes move fast. A mission can become a death-stakes alien game, then reveal itself through the absurd familiarity of bocce. Another Universe Journey entry turns a bachelorette-party blackout into a clue trail through apartments, ships, clubs, and bruised friendships. The sci-fi material is broad, but it is not only gadget humor. Characters worry about loneliness, marriage, belonging, damaged reputations, and the friends who still show up. Daniel Kravitz, Chosen One gives the feed a fantasy serial with portals, monsters, demon magic, family conflict, and the ache of unfinished business. It can be earnest for a beat. Then someone notices the theatricality of a magician's dressing room or the awkwardness of a heroic speech, and the scene snaps back into comedy. Itsahlbend Theatre works as a fairy-tale and folklore parody lane. Goldilocks becomes less a storybook innocent than a rude intruder, while The Legend of the White Snake turns fear of a snake woman into a strangely practical town problem. True Crimes of Worthington, Ohio adds another texture, parodying investigative narration around mysterious lights, police questioning, and suburban suspicion. The show's craft is audible in the machinery around the scenes: narration, Foley, music direction, theme songs, and long ensemble credits recur in the excerpts. That matters because the comedy depends on pace and handoffs. Characters interrupt, deflect, confess, misunderstand, and over-explain until a genre setup has become a group problem. The result is cleaner than shock comedy but still a little unruly. It likes peril, romance, monsters, bureaucracy, and bad decisions. It also likes names that sound like bits before the plot has even started. PlayNext listeners looking for polished documentary realism will not find that here. It suits a listener who wants comic audio fiction with serial lore, theatrical scene work, and enough genre variety to keep the next episode from feeling predetermined. Its clearest difference from a single-premise fiction podcast is its range inside one feed: space serial, fantasy quest, mock true crime, and twisted storybook theatre all operate as recurring lanes under the same comic roof.