iNTO THE FRAY RADIO - Encounters with the Paranormal

iNTO THE FRAY RADIO is a long-form paranormal interview show with a relaxed grip and a wide field of curiosity. It centers people who have seen, studied, chased, or inherited stories about the unexplained. The show is especially at home with Bigfoot accounts. Recent conversations include wooded Texas and Oklahoma properties, Stanislaus terrain, Maine roadside reports, suspected footprints, returned knocks, house slaps, and the uneasy silence around something just out of sight. It also follows the practical side of investigation. Guests talk about microphones placed in valleys, live-stream cameras, expedition sites, patterns of activity, and the frustration of evidence that suggests more than it proves. UFO episodes sit comfortably in the same room. Ben describes two Colorado sightings, including a huge low-flying saucer-like craft seen briefly enough to feel almost impossible and clearly enough to be remembered. Haunting stories get a similar amount of patience. One episode follows dreams, an old building later researched as a former mortuary, basement vaults, antiques, and the possibility that an object may be carrying a presence with it. The show is not only a catalog of scares. It often treats folklore as a living archive. Michelle Soulier’s Maine material brings in the Greenhand Bookshop, Strange Maine, Bigfoot in Maine, French and Quebec folklore, and the loup-garou as a story that traveled with people and kept echoing through particular woods. Luke Phillips returns for phantom black cats, big cats, Bigfoot, and haunted locations across the pond. The conversations are curious before they are judgmental. They can wander, repeat, and circle back. That is part of the texture. The listener hears how people remember, qualify, second-guess, and connect one odd moment to another. The show works best for those who want paranormal testimony with atmosphere, patience, and human looseness rather than a clipped case-file treatment. It is less about proving a single theory than staying with the story long enough for the strange parts to show their shape.