Interview Under Fire is a heavy music interview show centered on artists, albums, and the communities around them. It is casual by design. Recent episodes place Sonny in conversation with musicians from Resistor, Dethklok, All The Damn Vampires, Capsize, Volumes, Melissa Bonny, The Acacia Strain, and Spite. The show’s interviews usually begin with warmth, fandom, and a stack of specifics. A new full-length record, a band stepping back into motion, a solo chapter, a major anniversary, or a long-running catalog becomes the door into the conversation. From there, the show settles into process. Guests talk through release timing, writing pressure, production work, visual identity, fan reaction, touring, time away from the road, and the strange emotional weather around putting heavy music into the world. It is a show for listeners who care about the machinery behind the songs. It can linger on why a band chose fewer singles, how a rooftop video shoot came together, what a producer added to demos, or how a band avoids overthinking after years in the studio. The tone stays friendly and fan-forward. Praise is common, but it tends to attach itself to real reference points: a record cycle, a sound, a live reputation, a scene comparison, or a milestone. Interview Under Fire also has a wide definition of heavy. Metalcore, deathcore, progressive groove, cinematic synthwave, goth atmosphere, alternative metal, and animated extreme-metal crossover all fit within its frame. The conversations are not tightly edited into glossy radio segments. They keep some starts, restarts, seasonal jokes, call texture, and quick personal asides. That looseness is part of the appeal. The show is best when it feels like an informed scene fan making space for an artist to describe what this chapter actually feels like. It does not chase hard-hitting criticism. It documents momentum, memory, craft, and survival inside heavy music scenes.