Mentorship, small wins, and the steady work of building momentum.
Episode 850 of Indie Film Hustle offers a grounded look at how creators sharpen their work through mentors, peers, and the people they can teach.

500 episodes listed below
Indie film advice with real-world pressure.
Indie Film Hustle treats filmmaking as both craft and survival work. Across guest-heavy conversations, it returns to crowdfunding, distribution, writing tools, confidence, and the hard practical gap between having an idea and actually finishing a movie.
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Indie Film Hustle is a long-running filmmaking interview show with a strong practical streak. It is interested in the part after inspiration. Recent episodes keep returning to the grind of actually completing films, raising money, finding distribution, managing writing tools, and keeping momentum when a project starts to feel too big. Alex Ferrari gives the feed its entrepreneurial frame, especially around the idea that indie filmmakers need to think about the business behind the movie as seriously as the creative work. The guests bring the working details. James Altucher talks through learning, confidence, mentors, peers, and small wins as a way to keep creators moving instead of stalling out. Bill Ostroff and Rob Dimension episodes lean into crowdfunding, with attention to due diligence, realistic budgets, pre-selling copies, and the damage done when projects take money and never appear. That material is blunt without becoming cynical. Patrick Epino’s episode adds the chaos and pressure of turning an online audience into support for a feature, including constant outreach, live events, and the awkward fear of failing in public. Sandra Leviton’s episode points toward the TV and film development side of the business. Guy Goldstein’s conversation brings screenwriting workflow into the mix, including WriterDuet, mobile writing, feature choices, and the discipline of serving the bigger creative vision. The show is conversational and fast-moving. It can be repetitive, sponsor-heavy, and full of the practical noise of a real podcast network, but that also makes it feel close to the world it covers. It does not treat indie film as a romantic calling floating above money. It treats it as a difficult career path where taste, persistence, planning, and self-promotion all matter. The strongest moments come when guests explain what they actually tried, what almost broke, and what they learned after the polished success story falls away. The audience is not given a tidy formula. Instead, the show offers a steady stream of field notes from filmmakers, writers, producers, and development people who have had to solve problems under constraint. It is especially useful for creators who need a practical reset. The recurring message is simple: the movie only matters if it gets made, finished, and put in front of people.
Made for: Best for independent filmmakers, screenwriters, producers, and film students who want practical career talk alongside creative process. It especially suits makers wrestling with unfinished projects, crowdfunding, distribution, or the business side of getting work seen.
What sets it apart: The show stands out by treating indie filmmaking as an entrepreneurial problem as much as an artistic one. Guest stories, budget talk, crowdfunding detail, and distribution warnings give it a grounded, working-filmmaker feel.
The Indie Film Hustle Podcast is your #1 source for how to hack the film business and indie film world! The show is here to help as many indie filmmakers as I could. We wanted to bring the best guests, industry leaders, creative legends, and film business friends to you, the IFH Tribe. Some of the past guests include 3X Oscar® Winning Writer/Director Oliver Stone, Barry Sonnenfeld (Men in Black), Alex Proyas (The Crow, I, Robot), James V. Hart (writer Dracula, Hook), John August (Big Fish, Aladdin), Jim Uhls (writer of Fight Club), Oscar® Winner Russell Carpenter (DP of Avatar, Titanic) Joe Carnahan (Smokin' Aces, The Grey), and David F. Sandberg (Shazam!) to name a few. We hope this podcast…
Based on 6 episodes we listened to · September 2026
Alex Ferrari turns filmmaking ambition into concrete conversations about financing, completion, distribution, and the decisions that move a project forward.
Alex Ferrari keeps the camera trained on everything between having an idea and getting a film made, financed, and sold. His guest conversations treat independent filmmaking as both a creative practice and a business, moving from screenplay decisions and production tools to…
Budget, director, cast, genre: your script does not get first billing in the financing conversation.
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Short reviews from the PlayNext desk, based on the episodes we processed.
Mentorship, small wins, and the steady work of building momentum.
Episode 850 of Indie Film Hustle offers a grounded look at how creators sharpen their work through mentors, peers, and the people they can teach.
Bill Ostroff turns indie distribution pain into a blunt lesson on budgets, due diligence, and crowdfunding risk.
Bill Ostroff and the host spend the episode on the rough economics of indie film distribution, where predatory distributors and huckster film aggregators create problems that reach all the way into crowdfunding.
A grounded look at finishing the film, shaping an offer, and letting an early audience help fund the next step.
Finishing a film is framed here as a test of commitment: the money runs thin, the market may not be obvious, and the filmmaker still has to keep the project moving.
A practical conversation about screenwriting software, creative judgment, and getting a script finished.
WriterDuet gives Indie Film Hustle a grounded way into the screenwriting problem: how software can help a writer move from a loose idea toward a screenplay that can actually get finished.
A grounded look at turning YouTube momentum into a crowdfunding campaign.
Patrick Epino turns a filmmaking idea into a public campaign in this brisk PlayNext review, tracing how roughly a year of YouTube work helped set up a crowdfunding push.
Film financing becomes a buyer-facing calculation, with the creative pitch waiting outside the spreadsheet.
Getting money for a movie comes across as a blunt sales problem in Alex Ferrari's conversation, where budget range, director, cast, and genre shape a film's value before the story gets much room.
A clear, candid episode on why indie filmmakers need a real plan before crowdfunding can become a finished film.
Indie Film Hustle's conversation with Bill Ostroff stays close to the awkward money questions that can sink an indie film: raising funds, paying fees, and still leaving supporters without a finished movie.


Filmmaking talk from inside the workflow.

Screenwriting craft with honest room tone.

Hollywood talk with the machinery exposed.

Horror craft, cult memory, and monster talk.
Host Alex Ferrari interviews executive producer Franco Sama, who specializes in financing independent films.
Host Dave Bullis interviews Bill Ostroff, founder of the First Glance Film Festival, about the challenges indie filmmakers face.
This episode features an interview with filmmaker Clarke Scott about his independent journey and approach to filmmaking without traditional permission, discussing challenges in the indie film business and strategies for profitability.
Alex Ferrari opens episode 850 with the show's familiar indie-filmmaking frame.
Alex Ferrari frames the episode around how hard it is for indie films to make money and get a fair path through distribution.
Indie Film Hustle® episode 848 pairs Alex Ferrari with guest host Dave Bullis and guest Rob Dimension for a conversation about podcasting, YouTube, and independent-film crowdfunding.
This episode explores how independent filmmakers can survive and thrive by adopting entrepreneurial strategies to turn their films into profitable businesses, featuring insights from guest Ethan Marten.
This episode explores the challenges of breaking into television with TV and film development executive Sandra Leviton, offering insights for aspiring filmmakers and screenwriters.
Alex Ferrari's conversation with Guy Goldstein connects WriterDuet to the bigger question of how writers and makers actually keep a project moving.
["Patrick Impino says film school is helpful but not necessary, and he chose San Francisco State partly to avoid the GRE and major debt.", "He says a $500 thesis film shot on an early-2000s Canon digital camera taught him to work backward from available locations and keep moving.", "Awesome Asian Bad Guys began as a two-minute National Film Society joke about Asian movie villains, then became a Kickstarter that raised $54,000 in October 2012.", "Patrick says Phil Yu, Randall Park, Aaron Takahashi, and other Asian American film-community contacts helped the project feel legitimate and get cast."]
This bonus episode of the Indie Film Hustle Podcast features an interview with Franco Sama, providing a guide to securing funding for independent movies.
This episode features an interview with 86-year-old Leo Fong discussing his life experiences in martial arts, movies, and wisdom, aimed at indie filmmakers.
This episode features an interview with Australian filmmaker Clarke Scott about his independent journey and strategies for making films without traditional permission or support.
This episode features an interview with Greg Travis discussing lessons in filmmaking, failure, and persistence for indie filmmakers.