I Hope You Suffer is a horror movie podcast where the plot recap does most of the work. Nathan, Kit and Katey take a single film per episode and walk through it scene by scene, paraphrasing the dialogue and stopping whenever a character does something that strikes them as absurd. Recent episode titles include Stage Fright (1987), Maniac Cop (1988), Killer Nerd (1991), Assault On Dome 4 (1996), Running Time (1997) and Alien Apocalypse (2005). Most of those date from the late eighties and nineties. Stage Fright shows the method clearly. Its recap relays Peter's speech about rushing the show out to capitalize on a death right before opening, then lands on Alice declining to take part. Maniac Cop gets the same close reading, down to a husband's curt reply to his worried wife, which is judged 'a little aggressive'. Killer Nerd yields a church-picnic brush-off retold beat by beat, and a line about a stiff upper lip that one of them rates as maybe the best in any movie. Verdicts arrive alongside the retelling. Running Time is pretty good, not great, with credit for its one-take conceit and a counter-proposal that the safe should have held nothing but dirty laundry. Assault On Dome 4 is written off as boring before the welcome has finished. Then come the tangents. One turns into advice for Elon Musk involving a werewolf, a metal skin suit and a rocket launcher, with detours into Diablo 4 and Elden Ring builds. Another floats swapping taglines for metalcore band names, with Nathan credited as able to supply them for years. Alien Apocalypse begins with a mix-up: one of them thought it was called Alien Invasion, a title shared by several films. The Assault On Dome 4 episode opens with a birthday greeting for Kit. The bookends hold steady across these episodes. Cold opens recite a film's tagline, or grumble that it lacks one, before the welcome. Sign-offs are mock curses pulled from the movie, like 'I hope you get thrown out a window by Maniac Cop', each met with a deadpan 'but why?' The crosstalk overlaps, the profanity never lets up and the humor runs crude. What a listener gets is a film's whole plot, told by three people ready to laugh at it.