How Was Your Week? with Julie Klausner is a comedy-culture dispatch with the attention span of a brilliant group text and the reference shelf of a theater archivist. It alternates between monologue editions and interviews, and both formats run on Julie Klausner’s taste for specific people, strange details, and jokes that keep opening new doors. A solo episode can begin with allergies and end up covering donuts, missed appointments, writing, painting, reality television, editing choices, and the emotional value of hobbies. The pace is loose. The references are dense. The tone can shift from cranky to generous in a sentence. Interview episodes bring that same energy to guests who know their corners of culture deeply. Seth Rudetsky is framed through Broadway expertise, variety-show knowledge, belters, disaster movies, failed productions, successful productions, Sirius XM, and the sort of archival clip talk where blinking in the 1970s becomes a legitimate topic. John Cameron Mitchell’s episode moves through Hedwig, Cole, downtown cabaret, queer punk venues, Justin Vivian Bond, Little Richard, Sister Rosetta Tharpe, Bowie, the Stones, the Beatles, Yoko, and Tina. Phoebe Robinson’s conversation leans into gender, friendship, hobbies, betting apps, weaponized incompetence, self-expression, and comedy touring. Susan Orlean’s appearance is rooted in memoir, reporting, How To with John Wilson, and the comic afterlife of a pandemic Twitter episode. Mike Mikowski and Bradley Whitford bring the Netflix limited series Death by Lightning into the show’s orbit of television, history, and performance. The show has a New York sensibility, but it is less about geography than appetite: for theater, television, books, gossip, craft, grievance, and delight. It is often irreverent. It is also unusually sincere about art that makes people feel less alone. The result is a talk show for listeners who enjoy cultural specificity more than clean summaries. It rewards people who know the names, and it remains funny when they do not.