History Lab is a public history podcast produced with Impact Studios, and it does its best work at close range. When a national story has settled into a tidy version, the show tends to go looking for the people it left out. The clearest case is Darlinghurst's AIDS Crisis, a three-part History Lab Originals series guided by historian Leigh Boucher. Its premise is blunt. Australia's response to AIDS is often told as a triumph of leadership and public health policy, so what did it look like up close, in the heart of gay Sydney? The answers come from oral histories. One voice remembers opening the Star Observer to pages of death notices and wondering who would be gone that week. Another recalls a first HIV test in London, taken stripped in a corridor, and the feeling of being treated as a disease. Police meet a lipstick protest outside the American Consulate with fists, and the series pauses in the waiting room of Sydney's first specialist HIV and AIDS clinic. It also credits what worked: the safe-sex campaigns, and the plain fact that condoms cut transmission. One interviewee reaches for kintsugi, the Japanese craft of mending broken pottery with gold, to describe a damaged community. A bonus conversation between Boucher and historian Tamson Pietsch steps behind the tape. They discuss shaping long, intimate interviews into audio, a single word that unlocked a flood of memory, and the interpretations that simply did not land. For anyone curious how oral history gets made, it is the episode to hear. Darlinghurst reaches back further in the feed, too. Listen to Darlinghurst, a six-part series by historian and producer Catherine Franey, includes 'Red Light, Green Light', a gold Signal Award winner on the history of sex work in the neighbourhood. A former street worker recalls being arrested for obstructing traffic even after the 1979 repeal, and tells it with a raconteur's timing. The story carried on off-air: Franey and Julie Bates, who is heard in the episode, campaigned successfully to return the statue of Joy to its original place. History Lab Live is a different animal. These are recorded conversations about Australian history in bookshops, universities and public venues. One features Ann Curthoys on Paul and Eslanda Robeson's 1960 tour of Australia and New Zealand, when reporters kept pressing the singer about the Soviet Union while he tried to talk about his music. The talk widens into a pattern of visiting artists of colour being misquoted by the Australian press. Newcomers can start with 'Under the mirror ball' and let the Darlinghurst series play in order.