Grave Tales Australia: the series works at the scale of a single life. Its subjects range from a Hollywood star's parents in Tasmania to a convict who spent his days tending the dead. Chris Adams and Helen share the telling. Each story is introduced with the Grave Tales book it comes from: volumes tied to Tasmania, Melbourne and Queensland's Scenic Rim, plus a true crime collection. An adults-only advisory comes first, then a short teaser sets the scene. After that, it is a conversation. Helen often puts the plain question, such as what exactly the Isle of the Dead was, and Chris supplies the history. They quote their sources generously. Sylvia MacArthur, who died in 1912 at 15, speaks through her letters to a newspaper's children's page. She lists the store, butcher, baker and police station of her Tasmanian town and notes that one of its two hotels burnt down two days before Christmas. In 'The plane that flew into a cyclone', a survivor's statement carries the account of a passenger plane that went missing in February 1937 with seven people aboard. The survivors lit fires on a plateau and the rain put them out overnight. One man set off toward a farm with sheep that the others insisted was not there. The story turns on bushman Bernard O'Reilly, who found the aircraft where no one else could. Crime gets sterner treatment. When Helen asks whether the Clarke brothers were bad guys or just misunderstood, the reply is flat: as bad as it gets. What follows is a family web of outlaws around Braidwood, where the 40 or so police in the area were openly defied, until a royal commission finally stopped them. Elsewhere the mood lightens. 'The grave with no bodies' follows a paper-pattern business that dressed Australian women for nine decades to a Brighton Cemetery plot bought for three, where no one is buried. Along the way comes a joke about a gentleman's dressing gown fit for Clark Gable. The Flynn story moves from a professor's family at Sandy Bay to Errol playing Fletcher Christian in a Sydney production, 'In the Wake of the Bounty'. It also touches on a claimed family link to the mutiny itself. Asides about growing up in country Victoria slip in between the facts. The endings tend to settle on a single line, from a withering verdict on the Clarke brothers to a quiet 'Adieu, madame.' The closing credits name Kai Engels for the music and point to the books in paperback, e-book and, for some titles, audiobook.