Frontier Town is a radio Western built around an unlikely hero. Chad Remington is a lawyer. By his own cheerful admission, he is not a prosperous one. There is little law business on the frontier, the clients who do turn up tend to pay slowly if at all, and his so-called offices sit above the Dos Rios livery stables, which belong to an ex-medicine man. So he raises cattle as well, and whatever trouble the law practice fails to hand him, the herd supplies. Dos Rios gets a sketch of its own in his introductions: a cow town in the Rocky Mountain country, with no railroad for miles, a few passing stagecoaches and a steady stream of cow ponies. The labels he wears shift from one introduction to the next: frontier lawyer, cow town lawyer, saddle stop lawyer. The modesty does not. More than once he allows that nobody has much reason to have heard of him, and in one introduction he pleads guilty, as if in court, to making part of his living from the law. Before he speaks, though, each episode sets the stage with a spoken roll call of the early West: El Paso, Cheyenne, Calgary, Tombstone, the Pecos to Powder River, Dodge City to Poker Flat. From there the stories are dramatized, with scenes, dialogue and act breaks. The excerpt from 'Branding the Badlands' shows the texture. A question of forgery hangs over a father's signature, Miss Dixie declares she will not be robbed of her ranch and her stock, and the talk turns to a judge, a jury and a ride into town to see the sheriff. Told that the law is the law, she replies that maybe she had better make a few laws of her own, and she is sharp with Chad too, reminding him she never asked him to come. Other setups are gentler. In the excerpt from 'All Trails Lead to Trouble', Chad is plainly glad, after a run of broken-down and non-paying clients, when Dave Buckley and his mother come to see him from the painted horse country. He also offers his own reading of the frontier: it draws every kind of person, rough and tough, humble and God-fearing, and the daily battle for existence brings out the best and the worst in them. The episode titles trace the range, from 'South of Santa Fe' and 'Thunder over Texas' to 'Maverick Town', 'Forest Fire' and 'All Trails Lead to Trouble'. The pull here is the voice at the center: a Western hero who hedges, jokes about his fees and shrugs off his own obscurity before the trouble arrives. The closing credits name Reed Hadley, and Bill Foreman signs off with a note that Frontier Town comes from Hollywood.