Florida Frontiers is the radio magazine of the Florida Historical Society, and it works like one. Each numbered program starts with Ben Broatmarkle running through what is coming up. It then moves across several Florida stories that often have little to do with one another. That range is the draw. Across a handful of programs, one puts St. Augustine Poet Laureate Anne Browning Masters next to research on Florida's ERA fight, and another goes from an exhibition of 1970 photographs of George Harrison to contact-era archaeology. The archaeology is handled with care. That segment covers a mass burial of 77 people, the scholarly disagreement over how far European disease drove Native population loss, and failed settlement attempts by Ponce de Leon in 1521 and Tristan de Luna in 1559. Historians are quoted directly, with the quotation marks read aloud. Women's history keeps coming up. The ERA segment traces Florida's failed ratification votes in 1972, 1974 and 1977 and notes that the legislature ratified the 19th Amendment only symbolically, in 1969. It also follows research by Voss arguing that press coverage framed the battles between women as catfights and missed the bigger story. A conversation with Connie Lester, editor of the Florida Historical Quarterly, turns to an article by Deborah Bower on British women in the colonization of East and West Florida between 1763 and 1783. Rural heritage gets its own feature. On cracker culture, the program hears from Dana St. Clair and Kara Hoblick about Spanish-bloodline cracker horses, families rooted in the area for generations, and the sprawl pressing into old cracker country around Ocala. Music history appears as well. It comes through a Florida youth club circuit that, by one guest's account, Tom Petty and members of Lynyrd Skynyrd also toured, and a venue restored as a historic listening room. The Florida Historical Society Press has reissued Ellen Call Long's 1883 novel Florida Breezes with a new introduction by Tracy J. Revels, and the program covering it also takes in the Negro Fort at Prospect Bluff and Orlando tourism before Disney. The narration is measured and precise about dates, names and sources. Underwriting credits bookend the programs, and Society announcements, such as registration for its Public History Forum, turn up too. George Harrison and a contact-era burial site can share one program. This is not a single narrative history of Florida. It works more like a sampler that keeps pointing outward, to museums, archives, presses and heritage sites across the state.