FAIR’s CounterSpin is a weekly media-watch program built for listeners who hear a headline and immediately wonder what frame has already been smuggled in. It is not a breezy recap. Recent episodes move through corporate tax avoidance, poverty wages, U.S. war narratives, impeachment, government transparency, local news, LGBTQ rights, First Amendment threats, Abu Ghraib, and the attempted erasure of Black history from public memory. The common thread is power. CounterSpin asks why profitable companies paying little or nothing in federal income taxes are described as successful, why low pay is treated like weather instead of a business decision, and why stock buybacks receive less moral scrutiny than worker demands. Its economic coverage is plainspoken and sharp. Its foreign-policy coverage is heavier, especially around Iran, where guests and openings challenge media language that turns aggression, diplomacy, and civilian harm into abstract strategy. The show also spends time on the machinery of democracy: open records, archives, local reporting, dissent, and the public’s ability to know what is being done in its name. Court rulings are treated as stories about real people and institutional power, not just legal drama. The pace is direct. Short editorial setups give way to interviews with advocates, writers, legal directors, policy directors, fellows, and critics who bring context rather than spin. Janine Jackson’s recurring presence gives the program a consistent skeptical rhythm, but the emphasis stays on the issue at hand. The tone can be cutting, especially toward corporate media and official euphemism. It remains disciplined. CounterSpin is best for listeners who want a left media-criticism lens tied to labor, civil liberties, antiwar analysis, public accountability, and historical memory. It rewards attention to language. It also keeps asking a practical democratic question: what happens when the institutions meant to inform the public become too timid, too consolidated, or too invested in power to name what is happening?