Face2Face with David Peck is a conversation-first interview show centered on artists, filmmakers, actors, writers, and people working with story as a form of public meaning. It moves slowly on purpose. Episodes often begin with a generous frame, a bit of welcome, and a sense that the guest is arriving into a live exchange rather than a prepared media stop. The show is especially at home around film. Recent conversations orbit National Canadian Film Day, the Toronto International Film Festival, Canadian authenticity, feature debuts, historical dramas, documentaries, and the communal charge of watching a story with other people. It treats screens as more than delivery systems. A discussion about watching Chinatown on a phone, sitting in a theater, or laughing in the same row becomes a way to ask what attention and community still mean. The show also has a recurring fascination with magic. Those episodes use magic to talk about discipline, vocation, marketing, wonder, and the strange pull of a craft that may not make practical sense but becomes impossible to abandon. The range can be wide. One episode may linger on a playful exchange with Steve Valentine, while another sits with Red Power Rising, Batoche, the Northwest resistance, and the violence carried in public memory. The tone stays humane when the subjects darken. In conversations around Truth and Treason and Calorie, the show follows moral courage, family trauma, political history, and the difficulty of admitting what has been hidden or inherited. It does not chase sharp soundbites. The questions tend to arrive through context, reflection, and close listening, which gives guests room to think aloud and revise themselves in real time. There is plenty of enthusiasm, but it is usually grounded in the work: a scene that lands, a film that opens a wound, a performance that makes private conflict visible. The show can feel intimate even when the subject is public. It is best for listeners who like cultural interviews that connect craft to conscience, memory, and social responsibility. It also rewards patience. The payoff is not speed; it is the sense of a conversation still unfolding after the microphones stop.