Engineering Matters is a narrated programme about engineering in practice, built around specific projects and the specialists behind them. Alex Conacher and Tim Sheehan host. Their narration sets out the problem, supplies the figures and defines the jargon, then makes room for the people doing the work. The range is the first thing to notice. MERMAID, a coral reef monitoring platform, features as a gold winner in the Environment Champion category of the Engineering Matters Awards; Emily Darling, Director for Coral Reef Conservation at WCS, is one of its founders. The account gets specific about the build, from millions of images stored on AWS to machine learning models and computer vision drawn from CoralNet, an open-source platform developed by the University of California, San Diego, and the Scripps Institute of Oceanography. Offshore, Roger Birchall, technical authority for geophysics at SSE Renewables, is responsible for understanding conditions on and below the seabed so wind farms can be built safely, and he names Berwick Bank as the next big target. The same episode turns to uncrewed surface vessels and ROVs built for survey and inspection. In the City of London, the subject is a new wave of office towers. One strand follows a design team told to keep as much as it could of a basement built for another tower, whose columns sat in different positions from those the new building needed. Space poses a different puzzle. One contributor, Mike, compares today's spacecraft to a taxi scrapped after a thousand miles, arguing that refuelling and repair in orbit is where the real savings will come. Engineering education gets its turn through a systems change lab set up with the Royal Academy of Engineering, alongside the idea of the built environment as a system of systems in which transport, energy and telecoms all lean on each other. Architecture in Saudi Arabia is traced from the rapid, globally influenced building of the 1970s oil boom to work that draws on local heritage, including a palace built around an oasis that cools its surroundings. Some titles carry a 'Revisited' label, and their openings are tied to current news, such as the helium problem that forced NASA to scrap a revised Artemis II launch date. The tone stays explanatory and even. There is a dry streak, though. The closing credits hand Rory Harris a new epithet to suit each subject: 'our own robotic arm' for space, 'our own visionary prophet' for skyscrapers. Credits also name an industry partner or sponsor, among them Fugro, WSP and the Satellite Applications Catapult.