Play after play starts with the announcement that live radio theater is now on the air, and the phrase is literal: these scripts are performed and recorded before an audience at the Verge Theater in Bozeman, Montana. The stories change completely from one to the next. What ties them together is a close familiarity with old-time radio, down to the announcer, the closing roll call of players and sponsor plugs for businesses that never existed. The Hickory Chickory name turns up in more than one play, once selling condiments and once as the company that invented a make-believe housekeeping perfectionist. The comic plays are pure pulp. 'Old Glory vs. The World of Tomorrow!' bills itself as issue number 17 of Four Star Hero Comics on the Radio, recaps a cliffhanger and finds Mr. Mystery and Lady Liberty hanging upside down over a tank of man-eating polar bears. Mr. Mystery, helpfully, has unspecified and ill-defined cosmic powers. Gerda von Misery wants out of the rule-the-world business and tracks down Captain Overman, the most powerful man in the world, who has retreated to a library and its overdue fees. In 'The Road to H-E-Double-Hockey-Sticks!', a being named Belfmodius, inconvenient, eternal and unkillable by his own account, is trapped with an accordion blessed by the patron saint of accordionists. That play was trailed on air as a sixth-season end spectacular. Then there is the Old West. Prudence Pearly, girl reporter, lands in Wildflower, Montana, in 1912, with Barney beside her and a room booked under the Baltimore Women's Bi-Weekly Gazette and Shopper's Guide. The jokes come in quick volleys; a question about reservations gets the answer 'strong ones'. Not everything is played for laughs. 'The Dark Hallway: The Knife' speaks straight to the listener, asking them to picture life as Mac Heath, an ordinary and unhappy man, and then sets up a game of charades with an edge to it. It is dedicated to Rod Serling. 'Tournament of Quizzards!', trailed as a whodunit, is dedicated to Sid Caesar and the writers of Your Show of Shows, and it opens on a grim exchange between a condemned man and a Reverend Mother. That play is credited to Keith Suta, who also takes the role of Mr. Announcer, and its sign-off points ahead to a Prudence Pearly story from Ryan Cassavaugh. The sound effects are credited as live work by Liam Mayer and Kyle Suda, billed at one point as gatekeepers of the nether sounds, with music from Garrett Robinson. The superhero serial makes the clearest introduction to the comic side; the Mac Heath play shows the show's darker register.