True crime with its teeth showing.
DEADBUG SAYS covers murders, disappearances, crime themes, and obscure violent cases with a confrontational true-crime style. It favors messy detail, harsh judgment, and barbed side comments over calm documentary distance.
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DEADBUG SAYS is true crime with no interest in sounding respectable. It covers murders, disappearances, crime themes, and bizarre violent incidents with a voice that is fast, judgmental, and aggressively informal. The show can sit with ugly facts, then snap into a joke that seems designed to cut the tension and make the room worse at the same time. That whiplash is central to the experience. Recent episodes move from the Idaho student murders and Brian Koberger to questions around Virginia Roberts' remaining money, from the Becky case involving Nathan Matthews and Shawna Hoare to the disappearance of Lorna McSorley and local fears about Muti. The Dallas motel episode about Chundra pushes the show into especially graphic territory. It tells stories through scene, suspicion, and reaction rather than through detached analysis. Names, body language, police movement, family panic, and small domestic details all become part of the pressure. The host voice is not clinically neutral. It insults, speculates, mocks, and keeps dragging the listener back to what happened next. Some episodes are closer to monologue; others have a second voice cutting in, as in the Lust Crimes run with Jasmin St. Claire. Those Lust Crimes episodes frame violence through desire, shame, and loss of control. The Shadow People entries have a darker folklore edge, circling disappearances, poverty, silence, ritual fear, and violence in forgotten places. Getting To Know The Dead uses recognizable cases as an entry point into victims, trials, and public memory. The show is strongest when it piles procedural detail against street-level disgust. It is also intentionally rough. Ad breaks can land strangely, intros can sprawl, and the performance often feels like part warning, part dare. Listeners looking for polished empathy may bounce off it quickly. Listeners who like abrasive narration, obscure cases, and true crime that refuses to behave may find it hard to stop.
Made for: For true-crime listeners who can handle abrasive narration, graphic case material, and a show that breaks solemnity with dark humor. Best for people who want detail and attitude rather than careful polish.
What sets it apart: DEADBUG SAYS stands apart by mixing case-heavy crime narration with confrontational editorial reaction and chaotic tonal shifts. It feels less like a conventional crime documentary and more like a volatile longform crime rant built from specific, ugly details.
I offer unapologetic , in you face, stab by stab, shot by shot, brutal representation of the crimes well known and obscure, not someone putting on a downs voice reading off of Reddit with cheap pixelated stock images from google stock. I never use Wiki, I look at trial defence and prosecutor reports and witnesses. If my content looks like it could be on Television, that is because I am a Television Director & Journalist who puts on YT what they won't let me put on T.V., there is other true crime channels and there is mine, love me, hate me...
Based on 5 episodes we listened to · September 2026
Deadbug pairs blunt narration with granular reconstructions of evidence, witness accounts and unresolved questions.
DEADBUG SAYS reconstructs violent crimes through forceful solo narration, moving between recent cases and older investigations. Deadbug tracks police searches, witness accounts, interviews and disputed explanations, giving each case a clear sequence even when the available…
Deadbug punctuates a grisly motel murder with a joke; you'll need a strong stomach.
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Short reviews from the PlayNext desk, based on the episodes we processed.
A missing-person case, a frantic cleanup, and a bathtub that tells on itself.
The episode follows the police as they close in on Nathan Matthews and Shawna Hoare after Becky goes missing, and the pressure around Cotton Mill Lane, Barton Court, and the garden shed keeps tightening.
A rude, money-trail crawl through Virginia Jafree's post-Epstein fallout.
Deadbug Says makes Virginia Jafree's post-Epstein money trail feel blunt and uneasy, moving through payouts, properties, and what was left behind without trying to soften the edges.
Purposeful killings, missing body parts, and moody give this episode its grim pull.
Deadbug Says follows a grim trail of purposeful killings, bodies turning up with parts missing, and a local police response that seems to struggle to keep pace.
A Florida homecoming becomes a grim murder case with a hard legal ending.
Deadbug Says tracks the 1990 Cape Coral murders through Jan Cornell's late return to a North Fort Myers apartment, and the episode works best in the small, unsettling details: a faulty doorknob, partly open back doors, and four framed photographs of her daughters set on an…
A motel murder story that stays ugly, fast, and blunt.
The episode moves from a motel dispute in Dallas to a brutal killing in the parking lot, following Chandra Nagamuleya from the flooded dining room to the front office and then into the machete attack.
Central Coast mornings with real local texture.
Notorious cases, researched and retold by two unfiltered hosts.
Hip hop's court cases and killings, answered clip by clip.
Missing children and the people who never stop searching.
An empire where even the cheering is arranged.
Deadbug opens with a warning.
Deadbug opens with a shameless Patreon pitch.
Jasmin St.
An introduction to a podcast series about lust crimes, featuring a warning about mature content and a philosophical take on lust.
A true crime podcast episode discussing the Idaho student murders case and the conviction of Brian Koberger.
Deadbug stays on Muti.
Deadbug Says opens in North Fort Myers, Florida, and the whole place feels used up.
The episode opens with a sponsor read for Pebble, then heads straight into Dallas.
A true crime episode detailing the unsolved 1995 murder of nurse Janet Brown and its possible connection to another murder.
A podcast episode discussing the Moors Murders case involving Ian Brady and Myra Hindley.
A rambling monologue promoting a Patreon and a home healthcare service, with crude humor and political incorrectness.
A host promotes his Patreon and a home healthcare service, Dispatch Health, in a rambling, comedic monologue.
A true crime podcast episode about the serial killer Herbert Mullin, known as the Prophet of Doom.