392 episodes listed below
Warm celebrity interviews with craft at the center.
Collider Ladies Night & Collider Forces is a warm, interview-led celebrity conversation series built around actors, current projects, and the work behind a performance. Dice-tower openers and fan-forward questions keep the mood loose, while the follow-ups often land on craft, pressure, and what happens on set.
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Collider Ladies Night & Collider Forces is a brisk, personable interview series built around actors, genre projects, and the craft decisions that shape screen work. It has the rhythm of a fan conversation with better follow-through. Episodes often begin with a game-like prompt: a dice tower, a random number, a franchise casting question, a zombie-apocalypse scenario, or a scary-movie memory. Those openings loosen the room. Then the interviews get more precise. Guests talk about first major bookings, how they found agents, what they learned by moving from one production to another, and how a role changes once the cameras are rolling. The show pays close attention to ensembles. One Piece conversations compare different acting approaches, cast friendships, and the pressure of entering a beloved world. School Spirits episodes turn playful hypotheticals into observations about co-stars, instincts, and career choices. The Pitt interviews lean into medical choreography, reaction shots, preparation, and the emotional mechanics of scenes that look procedural from the outside. Hazbin Hotel brings in lore-heavy character questions without losing the human pace of the exchange. The tone is welcoming, but it is not just promotional chatter. It keeps asking what a performer noticed, what surprised them, and what demanded a new skill. There is room for enthusiasm, especially around franchises and fan communities. There is also room for candid talk about industry pressures, including follower counts, agency politics, and the strange metrics that can shadow casting. The interviewer’s style is conversational and responsive, often using a guest’s answer as the next doorway rather than snapping back to a rigid list. That makes the show feel lived-in. It suits listeners who like celebrity interviews with actual texture: production stories, acting-process detail, and enough playful setup to make serious craft talk feel casual. The ad load can be visible in episode openings and closings, but the core interviews are clear about what they value. They are curious about performers as working artists, not just names attached to titles.
Made for: Best for film, television, animation, and genre fans who enjoy actors talking through the practical side of performance. It especially suits listeners who want celebrity interviews that stay friendly while still asking about craft, sets, auditions, and ensemble dynamics.
What sets it apart: The show mixes playful interview games with unusually concrete follow-ups about acting choices and production experience. It can sound casual at first, then land on the kind of detail usually missing from standard press-cycle conversations.
Collider Ladies Night and Collider Forces put the spotlight on the need-to-know voices in Hollywood through entertaining, in-depth conversations. Who’s on the rise? Who’s changing the industry for the better? Collider.com senior producer Perri Nemiroff sits down with these standout artists to cover their journey from early influences, current projects, and beyond. Hosted on Acast. See acast.com/privacy for more information.
Based on 6 episodes we listened to · September 2026
Perri Nemiroff turns actor interviews into detailed conversations about preparation, collaboration, and the choices that make a screen performance work.
Perri Nemiroff gets actors talking about the decisions underneath a performance. A recurring dice-tower opener supplies some playfulness, then the conversation moves toward career choices, character development, and the practical work of finding a role.
A dice tower breaks the ice; then Perri Nemiroff gets actors talking craft, character choices, and career nerve.
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Short reviews from the PlayNext desk, based on the episodes we processed.
An actor discusses early jobs, crew relationships and the pride she takes in holding her head high.
A dice-tower mix-up opens the interview on a playful note. The guest soon gets into the work of starting an acting career: taking free or low-paid roles in short and student films for experience and footage, then contacting agencies.
Emily Rudd makes ensemble chemistry feel like practical craft, with Inaki's planning and Jacob's improvisation giving the conversation its best rhythm.
Emily Rudd turns One Piece ensemble chemistry into a matter of process. She frames Inaki as the careful planner, someone who studies the script, tests Luffy's lines, and searches for the right inflection, while Jacob keeps pushing at ad-libs and chasing Usopp's wildest laugh.
A playful dice-tower question leads to Dana's personal stake in Robbie's missing-person search.
A playful dice-tower prompt opens into a useful look at how Dana's worry for Robbie reshapes the scene around her. What starts as a light question about getting through a hard day on set moves through Starbucks and a Majestic Mint with lemonade, then settles on Dana trying to…
Ventura frames casting pressure and agency fit as part of the discipline behind his acting choices.
The episode works best as a grounded look at how Ventura thinks about protecting the kind of acting career he wants to build. He talks through the importance of representation that will stand up for a client when industry politics get difficult, and credits Innovative Artists…
A dice-tower warm-up leads into the exact choreography behind a watchful medical-set performance.
The conversation uses a dice-tower warm-up to ease into a focused look at acting as close observation. Asked about an on-set vice, the actor moves from the pleasure of hanging out with castmates to the technical satisfaction of suturing, then into the discipline of trauma…
A focused Alastor review where redemption, a chest wound, and deal questions leave his future unsettled.
Alastor's possible redemption gives this single-episode review its pull. The discussion sets him beside Pentious, whose path is framed as a mix of serious harm and real good, then presses the more interesting question: if Alastor learned redemption was possible, would that make…
Film talk with awards-season muscle.
Samuel Blenkin and Alex Lawther discuss their roles in Alien: Earth and play a game of Dicey Questions about their acting process.
Maria Bakalova discusses memorable wrap gifts from her roles in Creature Commandos, Guardians of the Galaxy, and Borat.
Robbie Williams discusses his film Better Man and finding joy in his work.
Jane Levy discusses the challenges of fake laughing on set and her experience acting with Josh Brolin.
Leonie Benesch answers random questions about wrap gifts, scary movies, and audition highs.
Haley Z Boston says an early pilot killed Portia’s husband Michael with an antler chandelier, but the gag felt “too funny.” She traces her directing ambitions to seeing Kill Bill’s Crazy 88 scene at 14, then watching more Quentin Tarantino films.
Charithra Chandran says One Piece callbacks are about fit, not acting skill, and that Oda-sensei approves the cast.
Emily Rudd explains how Studio Ghibli, Princess Mononoke, and fairy wrens shaped the way she thinks about nature and grounding.
Jessica Henwick discusses her alternate version of Rey in Star Wars and teases Silo Season 4, while also sharing her fear of scary movies stemming from watching Halloween H20 as a child.
Peyton List discusses her role in Heathers: The Musical and School Spirits Season 3, including a fun zombie apocalypse scenario with her co-stars.
["Katherine LaNasa tells Collider Ladies Night that the Emmy she won for The Pitt felt \"really touching\" because it came from her peers.", "She traces her acting path to a Sandy Meisner documentary, a humiliating New York class that made her fear acting, and early credits like Three Sisters, 12 Miles of Bad Road, and Jane Mansfield's Car.", "LaNasa describes a craft process built on running lines \"a lot a lot a lot,\" learning intubation, and surviving The Pitt's exact walk-and-talk blocking.", "She says Dana landed \"like a really nice suit in the mail,\" explains why Noah felt instantly in sync, and says a scene with Patrick in episode 215 became deeper than she first expected."]
Kristian Ventura says USC taught him that acting is about "ideas," not just character-building.
Shabana Azeez says Victoria lives on AO3 and Tumblr, and that now feels “fraught” because her friends are on there too.
Collider Forces revisits Amir Talai's Hazbin Hotel work, from the season-two reprise of "Don't You Forget" to new questions about Alastor's power.