Choose to be Curious is Lynn Borton's interview show about curiosity, and it tends to find its subject on the job. The settings range widely: a small-town Iowa newsroom, a museum filled for a weekend with Wikipedia editors, parks and restoration sites photographed over time, and a relief posting in Vietnam in 1969. Borton often introduces a guest with something from her own reading or life. Dan Pink's book Drive, with its account of autonomy, mastery and purpose as sources of motivation, sets up her conversation with TeRay Esquibel. Yale research on science curiosity and political information processing, which found that science comprehension can make politically biased thinking worse, sets up the one with Ky Wildermuth. A childhood memory sets up the talk with her aunt, Lady Borton, who left to do relief work with the American Friends Service Committee during the war when Borton was eight. The guests supply the texture. Art Cullen is editor and co-owner, with his brother John, of the Storm Lake Times-Pilot and won the 2017 Pulitzer Prize in Editorial Writing. He defines news as whatever you don't know. Its essential question, he says, is why. Borton questions the subtitle of his book, Notes from the Edge of the World, and suggests Iowa looks more like the center of the universe. Lisa Seitz Gruwell describes edit-a-thons in which Wikipedians spend a weekend at a museum writing about everything connected to it, with access to its artwork, archives and experts. Ky Wildermuth explains how Chronolog gathers small contributions from strangers into time-lapse records, and why its human, storytelling side turned out to matter more than first expected. TeRay Esquibel relays a youth advisory board's view that adult questions about purpose sound like a new version of 'what do you want to be when you grow up.' Lauren Henkin, discussing The Humane Space, suggests that treating a contemporary painting as a portal for exploration, rather than explaining it, leaves people more open the next time they walk into a museum. Borton's follow-ups push for detail. When Lady Borton recalls a province where control of land shifted by time of day, and where she carried a camera and no gun, the host stops her to ask whether the pictures were personal, journalistic or for the relief organization. The show also admits that curiosity is not always within reach. Borton describes joining Karis Myrick on her podcast, Unapologetically Black Unicorns, to wrestle with moments when choosing to be curious feels like a bad joke. Lady Borton adds a warning that stories hardened into narrative often turn out untrue, because people latch on to one thing and miss the rest. She also offers a lesson about interviewing: go back, because people retell their stories and new pieces fall into place. What a listener takes away is a collection of habits for practicing curiosity, each borrowed from someone's working life.