Blues From The Ouse is a weekly blues radio show with a lively panel feel. It comes through Jorvik Radio with Paul, Ben, and Angie named in the on-air identity, and it carries the easy clutter of people who clearly know one another. The structure is reliable without feeling stiff. Episodes commonly begin with new blues releases, then head into a focused feature before making space for listener requests. Recent themes have included Chicago blues, Mississippi styles, the British blues explosion, East Coast versus West Coast blues, blues in film soundtracks, and bass-driven blues. The show is good at genre mapping. It can explain how Chicago blues kept evolving, why Bentonia blues feels haunted, or how West Coast players shaped tone and swing, then undercut the lesson with a joke about headphones, sweets, weather, or a broken bucket. That looseness is part of the appeal. The music is treated seriously, but the room is not. Track introductions often set up region, era, album context, or sonic character in plain spoken terms. The show might move from Muddy Waters and Little Walter toward modern Chicago players, or from Fleetwood Mac and Jeff Beck toward British hard rock’s blues roots. It also keeps an ear on current releases from both sides of the Atlantic. Listener participation matters, especially in the request sections. So does the wider local blues ecosystem, with repeated references to York Blues Festival, Rydale Blues Club, the Milton Rooms Malton, and UK blues events. The tone is warm, quick, and occasionally unruly. It is not built for listeners who want pristine documentary pacing. It is for people who like their blues knowledge delivered between records, jokes, affectionate corrections, and sudden sharp little history notes. Beneath the chatter sits a genuine curator’s instinct: old masters, modern standouts, deep cuts, and guitar-led fire all sharing the same table.