Behind The Funny is a comedy-career interview show that sounds like comics talking after the show, before the room has fully emptied. It starts loose. Scott Higgins and Ace Aceto trade quick lines, tease the setting, talk bourbon, mention local shows, and let the conversation find its pace before the formal interview takes over. That informality is the point. The show is less interested in a polished origin story than in the messy working details of becoming a comic. Guests describe open mics, early uncertainty, crowd work, hecklers, road bookings, festival submissions, talent coordination, and the long hunt for an authentic voice. The advice is often blunt. One episode turns into a useful talk about doing comedy for years before asking for anything, while another conversation focuses on writing from real insecurity instead of chasing what an audience might want. Another episode brings in the wow moments and nerves around getting into a comedy festival. Another visit leans into road-work stories, Irish-comic bookings, and the kind of lucky break that comes from saying yes before everything is certain. The show also spends real time on the social fabric of comedy. Names, rooms, credits, festivals, and bookers come up naturally, as part of the shared map comics use to understand each other's paths. It can be chaotic. The hosts interrupt, repeat questions, circle back, and break sincerity with a quick joke. That pace gives the show its charm, because it keeps career talk from becoming self-important. Behind The Funny works best for listeners who like stand-up not only as performance, but as a craft, a scene, and a strange long game. It is warm without being slick. It is practical without sounding like a seminar. The recurring pleasure is hearing comics explain how they got from wanting stage time to actually knowing what to do with it.