Two interests share the microphone on Based on a True Crime. Chelsea introduces herself as the true crime fan, and David introduces himself as the horror movie fan. Together they take a real case, legend or historical figure and follow it onto the screen. 'Winchester (House)' shows the method plainly. It lays out the story of Sarah Winchester and her house, points to further reading such as a biography.com page, and saves the 2018 film Winchester for after a break. 'Poisoned Candy Myths, Facts and Candyman' runs the same way, working through the candy scares and bringing in the Tylenol murders in Chicago as a related case before Candyman gets its turn. The asides range widely. In 'Dracula & Vlad the Impaler', a subject a patron raised in a poll leads to a discussion of antisemitism in the novel, with lines drawn to Jack the Ripper, the Leather Apron figure the public tried to blame, and the lie of blood libel. It is a sober stretch, and it comes before the movie talk begins. Elsewhere the mood is lighter. Talk of The Entity, the 1982 film starring Barbara Hershey and Ron Silver, wanders into its director's other work, including a Rodney Dangerfield soccer comedy, with a quick joke about Lando along the way. The candy conversation takes in memories of parents vetting Halloween hauls and the satanic panic of the 1980s. Adaptations beyond the headline film come up too. 'The Silence of the Lambs' ranges across Manhunter and the Hannibal television series with Mads Mikkelsen, and settles one difference between the two: Chelsea loves spoilers, David does not. Titles such as 'Urban Legend(s)' and 'The Entity & Doris Bither' show the spread, from folklore to a film tied to real-life events. Several episodes began as Patreon exclusives, with topics put to supporters' votes. They now arrive with a new introduction that cites a hiatus as the reason they are being shared more widely, plus a caution that some news references may be dated. Several end on the same line, 'death is but a door and time is but a window', and a promise to be back. What a listener gets is the real story and the screen version side by side, from two people with different tastes and an easy rapport. 'Winchester (House)' makes a good first listen, since the history-then-film structure is laid out clearly there.