The Propaganda Report

Spreading Freedom through Filmmaking: JONES PLANTATION with Drew Treglia

·1 hr 24 min·5 clips
Monica Perez opens by linking Trump's Venezuela oil tanker seizure to Drew Treglia's film Jones Plantation.
Monica Perez hosts filmmaker Drew Treglia on The Propaganda Report. The episode begins with Perez connecting a recent news event—the Trump administration seizing an oil tanker off Venezuela—to the themes in Treglia's film Jones Plantation, framing it as fear-mongering propaganda. Treglia analyzes the Venezuela situation as being about oil and non-alignment rather than terrorism. The discussion shifts to propaganda mechanics, with Treglia explaining 'Barnum statements' like 'Make America Great Again' as emotionally charged but meaningless phrases. He details his political evolution from anarcho-capitalism to a more pragmatic stance, grappling with principles versus realities like immigration. Treglia distinguishes between individual immigration and organized mass migration, citing the example of 3,500 Haitians placed in Charleroi, Pennsylvania, as a cultural attack. He recounts his personal journey from owning a parking business in Atlanta to attending film school and making Jones Plantation during COVID lockdowns. The film is described as an allegory for the transition from chattel slavery to psychological control. Treglia explains casting Legal Man in the lead role and the challenges of indie filmmaking during pandemic protocols. He discusses his next project, Crazy Eddie, a vigilante film trilogy, and the financial realities of film financing through tax rebates. The conversation covers film analysis, propaganda in cinema, and the psychological levers used in mass manipulation. Treglia predicts a major secession or unwinding of the U.S. regime by the early 2030s, arguing that one government cannot represent 360 million people. The episode concludes with critiques of the U.S. Constitution and the central banking system.

As heard by us

A filmmaking conversation where political rhetoric, health rules, and an unlikely casting choice meet.

This PlayNext episode turns a discussion of making Jones Plantation into a study of how political language and production pressure can end up in the same room.

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Why you'd press play

Want a skeptical media conversation that connects official terror language to how a lawyer ended up playing Mr. Jones?

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