The Plotaholics Podcast: Movie Reviews · Shane Wilson and Bryan Tann

Everything Everywhere All at Once

·1 hr 3 min·2 clips

mindset they're in a different place they all like wayman is is filing...

The episode keeps returning to the same question: do you believe in fate, or is this all just choices, regrets, and people trying to survive themselves? That tension hangs over the whole review. The hosts move from the movie's emotional core to the casting, and they make a point of liking that Nick Offerman and Pedro Pascal are allowed to play against lazy expectations instead of getting boxed into familiar shorthand. They talk about how television and Hollywood often flatten LGBTQ+ characters into tired signals, and this film feels better because it does not lean on those old patterns. Then they pivot hard. The action starts getting described like taking a punch and somehow staying in the fight long enough to hit back harder. They get into the moment where Evelyn downloads martial-arts talent and suddenly moves with the kind of weird confidence that only makes sense inside this movie. The absurdity keeps rolling. They point out the black circles on the villains' heads, treat the detail as both silly and meaningful, and use it to talk through how the film makes trauma look strange without making it small. Then the bagel shows up. The everything bagel becomes the big joke and the big wound at once, a black-hole weapon built out of pain, grief, and too much remembering. That is where the episode clicks. They connect the movie's chaos back to the idea that people invent comforting shapes for horror, even when the shape is ridiculous, because the alternative is staring straight at the damage. The conversation never stays tidy. It drifts, corrects itself, and doubles back, which fits a movie that is trying to be a family story, an action movie, a comedy, and a cry session all at once. By the end, they are still laughing. They close on the same loose, affectionate energy they started with, joking about ridiculous stakes, movie logic, and the kind of plot hole that gets filled one way or another.

As heard by us

A loose, funny review that finds real feeling in the story's chaos.

Plotaholics turns a talk about fate, trauma, and family pain into a loose argument for why the story's absurdity still works. The hosts keep circling the same question: how can something this strange still feel emotionally true?

Read the full review in PlayNext →

Why you'd press play

Press play if fate, multiverse chaos, and family pain are your sweet spot.

Read the full recommendation in PlayNext →

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