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The Photowalk

#525 How to change your life profoundly

·1 hr 24 min·5 clips
Neil returns from four weeks in Austria, Bangladesh, and India, admitting he might be 'a tad rusty' after missing his listeners.
The episode begins with host Neil James recording while walking his dog Barney on Greenham Common, acknowledging he's been away for weeks traveling through Austria, Bangladesh, and India. He reads a listener question from Martin Cox about whether travel makes you a better photographer or vice versa, leading Neil to reflect on curiosity and the difference between looking and seeing. He then discusses the moral complexities encountered while documenting child labor and shipbreaking in Bangladesh for a previous special. Neil shares listener recommendations, including photographer Joshua Charrow's work on New York loft artists. Street photography mentor Valerie Jardin joins the show for the 'Teach Me Street' segment, where she critiques photos from listeners CK Hicks and Connor Giles. Valerie also describes her recent workshop in Oaxaca, Mexico, focusing on a visit to an authentic, remote mezcal distillery. Neil reads several other listener letters, including one from Dennis Linden about discovering his father's true WWII role and one from Tom Kavnis featuring a haiku paired with a wet plate collodion image. He mentions the Patreon-supported 'Extra Mile' segment featuring photographer Michael Asman's project on empty rooms. The episode concludes with a detailed letter from Monica Adler about her photographic series 'Chalkstone White,' exploring the Seven Sisters cliffs and the relationship between walking and photography.

As heard by us

A walk that treats photography as a practice of attention.

It opens with a small field note from a walk, using a Where's Wally-style setup with Barney by a tree to frame photography as something that begins in motion.

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Why you'd press play

How making photographs can change your life profoundly, while you walk and look.

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