Lyons Den with George Lyons | Dr. John Live, Bob Dylan Rarities, and Grateful Dead Deep Cuts

January 26, 2026·3 hr 52 min·20 clips

A soldier returns home with his face shot up and hands blown off, whispering to his mother.

This episode is a four-hour music radio show hosted by George Lyons, broadcasting from KUNV in Las Vegas. The program features an eclectic mix of curated tracks across genres like jazz, rock, and folk, with detailed commentary from the host. Lyons acts as a knowledgeable guide through what he calls "Technorganic Grooves," sharing historical context and personal appreciation for the artists. The show opens with an instrumental by Jimi Hendrix, followed by a 1962 track, "Eckers," from jazz innovator Ornette Coleman. Lyons highlights Coleman's unique ability to play saxophone and trumpet simultaneously and notes his backing band included Ed Blackwell, Jimmy Garrison, and Don Cherry. The set includes "Happy" by The Rolling Stones, with Keith Richards on lead vocals, and "Yellow Ledbetter" from Pearl Jam's 2006 live release, *Live at the Gorge 05/06*. Lyons plays "Pure Narcotic" by Porcupine Tree and a solo track, "Ray Dawn," from Trey Anastasio's first solo release. The music selection spans Willie Nelson's 1978 album *Stardust*, produced by Booker T. Jones, and a rare Van Morrison falsetto performance from the 1998 compilation *The Philosopher's Stone*. A significant portion is dedicated to the Grateful Dead, featuring "West L.A. Fadeaway" from *In the Dark* and a Jerry Garcia and John Kahn duet from a 1986 performance. One memorable moment is Lyons' reflection on Jerry Garcia, stating he misses him and assumes many listeners feel the same. He plays the poignant Grateful Dead songs "We Can Run," with Brent Mydland on vocals, and "Standing on the Moon," a Hunter-Garcia composition. The host presents three tracks from Bob Dylan's *Bootleg Series Vol. 8*, including an alternate version of "Tell Ol' Bill" and a live 2000 recording of "Things Have Changed." Lyons emphasizes a powerful, early live performance of "John Brown" from Dylan's 1962 *Live at the Gaslight* era, when the artist was relatively unknown. He also showcases global music with King Sunny Adé, credited with bringing Juju music to the Western world, and contemporary acts like the electronic duo Lamb and the avant-garde jazz group The Bad Plus. The host provides specific recording dates and locations, such as Dylan's live track from Portland, Oregon on June 15, 2000. He encourages listeners to connect on Facebook and promotes the station's 24/7 global stream at KUNV.org. The tone is deeply enthusiastic and conversational, as Lyons shares his personal connections to the music and artists. The style is educational and curator-focused, blending music playback with rich historical anecdotes and trivia. This episode would deeply appeal to music enthusiasts, especially fans of classic rock, jazz, and folk seeking deep cuts and detailed backstories. Listeners who prefer talk-based content, modern pop music, or uninterrupted music blocks might choose to skip it.

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