The History of England · David Crowther

441 The Duellist

March 1, 2026·45 min·4 clips
Charles II's ego is shattered when Frances Stuart elopes after he uses her as Britannia on a coin.
Buckingham arrives already flashing warning lights. The host paints him as mercurial, clever, witty, vain, ambitious, arrogant, rich, and handy whenever someone needs disruption. Clarendon has been removed. Charles seems to keep Buckingham close because a dangerous man can, for a while, be used inside the tent. The portrait is not pretending to be neutral. The host admits the bias, then backs it with Burnet's savage judgment and a French ambassador's tidy distinction. In power, Buckingham is useless. Out of power, he is dangerous enough to explain why Charles might prefer containment to exile from power. Then the episode wanders, briskly and on purpose. Buckingham becomes the way into European honor culture and its long, bruising afterlife. Montaigne gets his turn. He despaired at honor laws that offended reason, but the host points out that this made him unusual, not typical. Most people accepted the ladder. Rank shaped which insults could be swallowed and who was allowed to offer them. It sounds ridiculous now. Back in 1668, the host suggests, even a well-dressed tradesman and a farmer would not have played at equality. John Ball appears too, with his old claim about gentility in Eden hanging around like a radical ghost in a world still sorting everyone by status. The close turns back toward court. A new famous player is promised, with uncertain background, lively appetites, and a surprising path into English affection. Then comes the business: membership reminders, thanks, and the usual warm farewell after the tour-announcement opening.

As heard by us

Buckingham's danger leads into a sharp look at honor, insult, and rank.

The episode centers on Buckingham: clever, funny, changeable, and drawn to disruption in ways that made him useful to Charles during Clarendon's fall, then much harder to manage once he was outside power.

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Why you'd press play

You want Buckingham, honor codes, and a 1668 social hierarchy that the narrator admits would still feel bonkers.

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