THE FIXATE & BINGE PODCAST, with Host, Joe Curdy: Deep dives into cinema and storytelling with voices who create it · Joe Curdy

The Art of Indie Mischief: Talking THE MISADVENTURES OF VINCE AND HICK with Heston Horwin (Part 2)

·48 min·3 clips

Heston says the film became “the cross that I’ve been shouldering through the desert” and a major lesson in life.

1. THE FIXATE & BINGE PODCAST episode centers on The Misadventures of Vince and Hick and the craft behind its indie filmmaking push. 2. Joe Curdy hosts Heston Horwin, who wrote the script, co-led the film, and helped shape its distribution plan, while Trevor Stevens and Chase Savant are part of the creative team Horwin names repeatedly. 3. The episode asks what this film is for: a friendship story, a family story, and a franchise plan built outside studio control. 4. Horwin describes the stunt work as a major part of the film, with Crystal Martin and Brandon Elmore both coordinating action and appearing on camera. 5. He says Brandon appears as the security guard in the auction set piece, while Crystal plays in the bar fight scene. 6. Horwin explains that Chase Savant helped co-choreograph the auction sequence because he loves action cinema and has a black belt in karate. 7. The bar fight discussion turns to safety, with Horwin noting breakaway glass beer bottles, breakaway shot glasses, and furniture already being cleared out at the Arizona location. 8. He says the production used a 12-pack of breakaway beer bottles and a six-pack of breakaway shot glasses, and that they used every bottle. 9. Horwin connects the action to his own history of fake fighting with Chase from theater school, which helped sell the hits on camera. 10. The emotional center of the film, Horwin says, is Hick trying to reunite with his estranged daughter after prison. 11. He also frames Vince and Hick as a friendship story inspired by Midnight Run and Planes, Trains and Automobiles. 12. Horwin says love stories do not have to be romantic, and he names friendship and chosen family as the film’s larger message. 13. He ties that idea to his own life, saying Chase and Trevor are close friends who feel closer than family members. 14. The interview shifts to the title character’s future, and Horwin says he wants The Misadventures of Vincent Hick to become a long-running indie franchise. 15. He says the plan includes sequels every seven years, comic-book expansion with Tony Donnelly, and self-distribution through conventions, VHS tapes, and comic-book stores. 16. Horwin names Dan Mirvish, Mike Cheslick, and the Duplass brothers while arguing that indie filmmakers need to learn distribution and marketing themselves. 17. The tone of the conversation is energetic and personal, with Joe Curdy reacting as a fan while Horwin answers with long, practical production details. 18. The format stays interview-driven, but it repeatedly turns into a behind-the-scenes case study about editing, color, rejection, and audience building. 19. People who like indie cinema, stunt craft, and filmmaker strategy will get the most from it. 20. People who want a short, spoiler-free overview with no production detail may skip it.

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