After the applause fades, Christian confronts the deafening silence that follows a triumphant opera debut.
Richard Kine hosts this solo episode of The CVH Podcast from Paris after his opening performances in "Don Carlos." He reflects on the emotional transition from a bustling social period to solitary work. Kine describes the successful debut and the supportive presence of his brother, collaborative pianist Craig Terry, his PR rep Kate, and friends like Andy, Ben, and Sandra.
His European agent Saavedio was also in attendance, creating a high-energy environment that contrasted with the quiet aftermath. Kine compares the post-departure loneliness to a child leaving a holiday gathering, noting the emotional low that follows a professional high. He emphasizes his physical affection for loved ones, stating he always hugs friends and family and tells them he loves them when they part. The host admits to wearing an Apple Watch for health monitoring despite disliking it and preferring traditional timepieces.
He finds the Paris spring weather glorious and feels his performances are becoming freer in breath and phrasing. Kine mentions his next role is Attila, requiring him to return to studying the score alone in a practice room. He reveals his schedule is booked into 2029, which he finds a strange and morbid aspect of a singing career. A major project is a live concert series with Craig Terry, blending Top 40, jazz, and pop songs with a live podcast recording.
The theme is "CVH on the road," exploring the traveling performer's lifestyle, with a post-show hangout at an open bar. Kine plans to host these evenings in small venues for 200-300 people in cities like New York or Chicago, integrating masterclasses at universities. He contrasts this with singers who perform standard concert repertoire, stating he always sought new roles and experiences. This concert format represents his most exposed artistic endeavor, without the hiding place of a theatrical character.
The tone is intimate, conversational, and stream-of-consciousness, moving between professional reflection and personal vulnerability. Listeners who enjoy behind-the-scenes insights into an opera singer's life and creative process will appreciate this episode. Those seeking a highly structured topic or interview with a guest might find the solo, meandering style less engaging.
