The Audio Drama Show · James Newberry

The Falcon Part 2

·38 min·2 clips
Alphonse blows a trumpet he cannot play, then an old man’s music warms him 'like sunlight' before the soldier kills him.
A first time leaves bruised tenderness behind. Alphonse reaches for Eden, Eve, and the Battle of Navarra, as if myth and war can explain what just happened. Jimena does not buy it all. Once the official account from Madrid comes up, the play gets wicked about a learned man describing a battle he never joined. Alphonse does have one useful gift. He learns to play, wins over soldiers, and briefly knows the pleasure of being good at something. Then the old damage catches up. The soldier he attacked lingers, catches fever, and names his killer before eight men are sent after him. His escape has the shape of a fable, though he calls it the only story he has. Grim joke, since every version still traps him. Farmer, soldier, musician: none of it holds. Jimena hears the romance, but she also hears no money and no future that works. Her grandmother's lesson lands hard. The rich can talk as if love is enough. The poor have to count money first. Alphonse answers with wounded pride, calls Jimena shallow, and gets the vanity thrown right back at him. Then the quarrel turns sharp. Payment, theft, insult, gold, and a blade push them past talk. Alphonse proves he has one more talent. It does not make him noble, just less useless, while the Gypsy Caravan waits as rough shelter. The final promise sounds gentle: an enchanted village where only good things happen. Then the month-and-a-day limit turns mercy into exile again.

As heard by us

A tense, voice-led fable where desire, money, and survival keep colliding.

The Falcon centers on a bruised exchange between Alphonse and Jimena, where flirtation keeps tipping into confession and threat. Biblical imagery, battle memory, and talk of money all land in the same room, and the episode uses that pressure to ask who gets to be wanted, and who…

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Why you'd press play

For a dry, battered play where a first-time confession keeps colliding with the Battle of Navarra and the Garden of Eden.

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