The Age Old Question: A Podcast for Music Fans · Rich Price and Clint Bierman

How Is Artificial Intelligence Changing Music?

·44 min·2 clips

Johnny Cash singing 'Barbie Girl' and Sinatra singing Ludacris show how far the AI covers can go.

1. The Age Old Question: A Podcast for Music Fans asks how artificial intelligence is changing music. 2. Rich Price is one host, Clint Beerman is the other, and Rose Mead Hart joins later as an entertainment lawyer. 3. The episode asks whether AI will become a creative tool, a legal problem, or both. 4. Dustin Ballard’s YouTube channel There I Ruined It turns AI voice models into covers like Elvis singing 'Baby Got Back.' 5. The hosts explain Sovitz SVC as a neural-network process that uses hours of clean vocal samples. 6. They also cite Johnny Cash singing 'Barbie Girl,' Hank Williams on 'Straight Outta Compton,' and Frank Sinatra on Ludacris. 7. The episode moves from novelty examples to practical tools like BandLab’s Song Starter for writer’s block. 8. Moises is discussed as a way to isolate stems from songs such as 'Yesterday' by The Beatles. 9. Rich and Clint say AI can also de-age vocals, using Paul McCartney’s later recordings as an example. 10. They describe AI mastering software that can process a two-track file or MP3 in one click. 11. The hosts talk about AI mixing tools that can aim for a 'Harry Styles type mix' or a band-style mix. 12. Sherry Hu of Water & Music is quoted saying creative AI could be the most disruptive technology for music since Napster. 13. Rob Abelow argues that generative AI is coming for music libraries and production houses. 14. They worry about a future where someone can generate a thousand songs in a day and upload them to Spotify. 15. Rose Mead Hart says artificial intelligence cannot be an author under some current case law, but that the issue is not settled. 16. She points to layered questions about source material, voice likeness, underlying composition, and transparency. 17. The conversation has an energetic, fast-moving interview style with jokes, examples, and frequent reactions like 'incredible.' 18. Rich and Clint keep returning to legal ownership, practical production uses, and whether human musicians will still matter. 19. Listeners interested in music technology, copyright, and AI tools will get the most from it. 20. Listeners wanting deep technical music theory or a narrow genre focus may skip it.

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