Suspense Radio Theater · Heritage Radio Vault

Suspense – Good-bye, Miss Lizzie Borden | Suspense Radio Theater

April 9, 2026·30 min·2 clips
Emma Borden confesses that murdering her parents was nothing like chopping wood — 'Wood doesn't bleed, Lizzie. It doesn't fly, jump at you. The air filled with it.'
Maggie has packed her trunk. Emma Borden is getting ready for a short visit when the servant's decision to leave pulls a fear into the open. Maggie stayed for Emma, because leaving her alone with Lizzie felt too hard. That kindness hurts more than it helps. Emma hears the same old pattern in it: people leave, the house goes quiet, and dread settles back in. Then the old case presses in again. A questioner pushes Emma past Uncle Morse, past alibis, and into details she does not want to touch. The kitten matters. It was found dead in the cellar, killed with an axe, and Emma remembers crying while Lizzie did not. That detail cools the room. The inquiry shifts from sympathy to reconstruction, putting Mrs. Borden upstairs in blood and the servant below at the locked front door. The door is triple locked. Mr. Borden comes in, not knowing the house may already be waiting for him. A laugh comes from upstairs. The imagined killer watches from the landing as the second victim walks toward the trap. Emma fights the picture. She says Lizzie was downstairs, then faces the changing story that makes every memory feel unsafe. The sofa becomes the scene. Mr. Borden lies down for his nap, and the account brings the axe down until Emma breaks. Lizzie cuts her off. It is not a confession, but it lands like a hand over a mouth.

As heard by us

A triple-locked door and a dead kitten bring the Borden case uncomfortably close to home.

The drama begins with Maggie's uneasy departure, leaving Miss Emma alone in a house where ordinary chores seem to carry a threat. Lizzie's presence shifts that domestic tension into the shadow of the Borden killings, and the strongest passages come as Emma is pushed back through…

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Why you'd press play

You want a triple-locked door and a famous murder case that keeps shifting under questioning.

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