Seeing Red A True Crime Podcast · Mark Randell & Bethan Trueman

Jasmine Richardson: The 12-Year-Old Who Killed Her Family

·57 min·3 clips

Jasmine wrote, 'it begins with me killing them and ends with me living with you.'

The case is devastating. The hosts trace the violence back through a childhood marked by physical and mental abuse and a deep sense that something was badly broken long before anything else. They do not rush it. Instead, they let the story unfold around the family, the abuse, and the emotional shape of the case. Jeremy Alan Steinke stays with you. The episode lingers on the image of a troubled upbringing and on the hosts' discomfort as they try to talk about it without turning it into a detail. They also dwell on immaturity. That word matters because it becomes part of the struggle to explain behavior without excusing it. Nothing feels tidy. The discussion keeps pulling between abuse, a damaged upbringing, accountability, and the question of whether rehabilitation can ever sit beside what happened. The hosts sound openly conflicted. That gives the episode its edge, because they do not pretend the case can be reduced to a neat verdict or a single motive. It gets personal. Their reactions sound like people trying to keep their footing while talking through something that offends every instinct they have. The show keeps moving. Even when it slips into side remarks or brief detours, it returns to the story and the human wreckage at the center of the case. Jeremy Alan Steinke is part of that context. The episode folds in the background of his troubled upbringing as another piece of the wider, ugly picture. The result is bleak. It leaves the listener with grief, anger, and the sense that some harm can be understood in context without ever becoming less horrifying.

As heard by us

A grim case discussion that lingers on abuse, accountability, and the cost of trying to move forward.

The episode works best when it stays close to the human cost of the case: childhood abuse, immaturity, rehabilitation, and the hard-to-shake image of eight-year-old Jacob caught in the middle.

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Why you'd press play

When you want a case that forces you to sit with a family's worst aftermath.

Read the full recommendation in PlayNext →

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