Comic Book Camelot!

·1 hr 6 min·5 clips

Comic legend Rob Liefeld reveals why his 'one for me' episode is a deep dive into two Arthurian legends that defined 1980s culture.

This one starts as a claim, then Rob turns it into a shelf pull. Some work is for the corporation, some is for the crowd, and some gets made because the artist has to make it. Camelot is his way in. He starts with a movie memory, its heavy, non-traditional charge, and the jolt of seeing Liam Neeson and Helen Mirren early. Then he lands in 1982, where Camelot 3000 feels to him like a sequel in mood, memory, and myth, even if nobody is talking franchise. Brian Boland sits at the center. Rob treats Boland's long American assignment as the reason the book cannot be separated from the art. The 1988 trade paperback is not trivia. It is in his hands, on his shelf, tied to his own collecting life. The direct market gets real time too. This was not a 7-Eleven, liquor store, or grocery rack discovery. It was comic shop bait, part of DC and Marvel trying to make stores feel stocked with things you could not get anywhere else. The praise runs hot, but that is the show. Ask a favorite artist, Rob says, and they will tell you Boland is near the top. Then he comes back down to earth with dinner, Reese's big cups, fist bumps, and the usual see-you-soon warmth.

As heard by us

A warm, art-focused case for Camelot 3000, anchored in Brian Bolland's reputation and direct-market history.

Rob Liefeld's affection for Camelot 3000 gives this single-episode review its pulse. Holding up his 1988 trade paperback, he frames the series through its 1982 launch and makes a firm case for Brian Bolland's stature, speaking with the confidence of someone who says he has spent…

Read the full review in PlayNext →

Why you'd press play

Press play when you want Rob Liefeld as your fervent guide to Camelot 3000, with Brian Bolland placed at the top of the comic-art mountain.

Read the full recommendation in PlayNext →

Listen to the show on

Apple Podcasts Spotify

Play clips from this episode More from Robservations with Rob Liefeld