Podcast Business News Network Platinum · Podcast Business News Network Platinum, Podcast Business News Network, PBNN

14087 Steve Harper Interviews Marilyn Horowitz Writing Coach/ Author /New York University Professor, Emerita

·25 min·1 clip

Marilyn says a birthday led her to believe she had stopped carrying her father-centered script.

Steve Harper starts from a simple premise: everything has a cost. Marilyn Horowitz picks up that thread and treats it less like a slogan and more like a way of looking at life. She speaks with the ease of someone who has spent a long time thinking about pain, identity, and change. The setting matters too. She is talking from her balcony, looking out at the beach and describing a life with sunrise on one side and sunset on the other. That image gives the conversation a calm, lived-in feeling before it turns toward harder subjects. Horowitz talks about Feldenkrais and explains that it came through a friend who thought it might help her plantar fasciitis. The subject opens into a broader reflection on what people try when they do not want to keep limping through life. She sounds practical about healing and curious about a technique that is not widely marketed. The conversation also reaches into music and memory. Lyrics and a song by Dylan Price come up, along with the easy back-and-forth that happens when people are tracing something by association rather than agenda. From there, the tone shifts again. Horowitz says that, finally, she feels like she is getting started. She quickly reframes that and says she has, in some sense, already started. That line becomes one of the emotional centers of the interview. She describes a mystical experience from years ago and says she made a request to the universe. What she asked for was a life script that no longer centered her father. She says she got that wish, even if it took years to arrive. The result is not presented as a loud triumph. It is more like a settling of the self. She explains that she is no longer the same person who once carried those disappointments. The conversation then moves into her relationship with writing. She says her desire to achieve something has changed, and her investment in her identity as a writer has shifted. That does not mean she is done. It means the pressure around proving herself has changed. Harper follows that thread into authenticity and the way experience reshapes ambition. Horowitz responds like someone who has lived through several versions of herself and is willing to name the change plainly. The interview keeps its unhurried rhythm throughout. Harper gives her room, and she uses it to move between personal memory, bodily pain, creative life, and the question of what remains when older identities loosen. The result is a conversation that feels open-ended but still directed. It is less about a single lesson than about the cost of becoming more honest with time.

As heard by us

A loose, reflective conversation about comfort, healing, and living with the past.

Marilyn Horowitz turns a conversation about cost into something wider: what people pay for comfort, healing, bodily care, and the work of keeping old disappointments from setting the terms of the present.

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Why you'd press play

Hear a reflective conversation about cost, healing, and reinvention in plain speech.

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