PersianBMS Daily Podcasts | برنامه‌های کامل روزانه · PersianBMS

پادکست روزانه رادیو پیام دوست ۲۲ فروردین ۱۴۰۵

April 11, 2026·45 min·4 clips

From Adam Smith's wealth focus to Amartya Sen's moral economy, the definition of economics has completely changed.

The episode begins with an introduction to Iranian mirror art inspired by Shah Chirag Temple in Shiraz, led by artist Munir under master Hajj-Ustad Mohammad-Navid. Host Sohail Qahramani then transitions to the main topic of poverty, based on Dr. Houshmand Badeei's research in civil literature. Dr. Badeei defines absolute poverty as the inability to meet basic needs like food and shelter, and partial poverty as relative inequality compared to others like Elon Musk. He argues poverty must be lived to be understood, not just defined academically. The discussion traces economic thought from Adam Smith's focus on national wealth and production during the Industrial Revolution to Alfred Marshall's inclusion of normal life activities. It further evolves to Lionel Robbins' consideration of material and non-material health and Amartya Sen's moral economy by the 1990s. Dr. Badeei references civil letters by Mr. Abdu'l-Baha advocating for reducing inequality and eliminating absolute poverty. He challenges theories that treat poverty as an ordinary, inevitable part of society, insisting it should not exist in the modern era. The host asks about the difference between poverty and simplicity, leading to an explanation of forced simplicity due to unemployment versus voluntary simplicity focused on spiritual growth. Dr. Badeei discusses the limitations of individual aid in overcoming poverty, emphasizing the necessity of government laws and civil service. A question about whether the poor or rich are luckier introduces a German study showing income increases happiness only to a point, after which it may decrease, aligning with spiritual happiness theories. The episode briefly touches on economic issues in Iran, such as rising unemployment and prices. It concludes with a return to Iranian art, highlighting miniature painting by Mahmoud Farshchian and a reflective closing by the host.

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